"O ignis Spiritus Paraclitus" by Hildegard von Bingen, Oxford Camerata, Jeremy Summerly had its release date on April 24, 1995. This song is about six minutes long, preciously at 5:53, making this song fairly long compared to other songs. The track order of this song in Hildegard von Bingen, Oxford Camerata, Jeremy Summerly's "Hildegard Von Bingen: Heavenly Revelations" album is number 7 out of 11. In terms of popularity, O ignis Spiritus Paraclitus is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of O ignis Spiritus Paraclitus by Hildegard von Bingen, Oxford Camerata, Jeremy Summerly to be Andante (at a walking pace) because the track has a tempo of 98 テンポ, a half-time of 49テンポ, and a double-time of 196 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Let thy Hand be strengthened, HWV 259: Alleluia | George Frideric Handel, Thomas Tallis Chamber Choir, Royal Academy Consort, Jeremy Summerly | G Major | 2 | 9B | 61 BPM | ||
Laboravi in gemitu meo | Philippe Rogier, Oxford Camerata, Jeremy Summerly | G Major | 1 | 9B | 134 BPM | ||
Palestrina: Missa Papae Marcelli - 1a. Kyrie Eleison 1 | The Tallis Scholars, Peter Phillips | B Major | 1 | 1B | 81 BPM | ||
Missa Prolationum: Kyrie I | Johannes Ockeghem, L'ultima parola, Axelle Bernage, Bernd Oliver Fröhlich, Olivier Coiffet, Guillaume Olry | F Major | 1 | 7B | 133 BPM | ||
Ave Maria | Hortus Musicus | C Major | 1 | 8B | 129 BPM | ||
O magne Pater (Antiphon, Dendermonde Manuscript) | Hildegard von Bingen, Per-Sonat, Sabine Lutzenberger, Baptiste Romain | F Minor | 0 | 4A | 76 BPM | ||
The Vespers of St. Catherine: II. Proemium | Cappella Romana, Alexander Lingas | A Minor | 1 | 8A | 68 BPM | ||
O Bone Jesu | Sexteto Cantábile | E♭ Major | 2 | 5B | 136 BPM | ||
Antiphona, Nunc Gaudeant 57, In dedicatione Ecclesiae (VI). Psalmus 86: Fundamenta ejus in montibus Sanctis | Hildegard von Bingen, Ensemble San Felice, Federico Bardazzi, Barbara Zanichelli, Adele Bardazzi, Elena Sartori, Giulia Peri | B Major | 5 | 1B | 114 BPM | ||
Mariam matrem Virginem | Jordi Savall | F Major | 2 | 7B | 130 BPM |