Adelbert von Chamisso's 'Peter Schlemihls wundersame Geschichte - Der Märchen-Klassiker, Kapitel 16.2 & Peter Schlemihls wundersame Geschichte - Der Märchen-Klassiker, Kapitel 17.1 - Peter Schlemihls wundersame Geschichte (Ungekürzt)' came out on November 3, 2017. The duration of Peter Schlemihls wundersame Geschichte - Der Märchen-Klassiker, Kapitel 16.2 & Peter Schlemihls wundersame Geschichte - Der Märchen-Klassiker, Kapitel 17.1 - Peter Schlemihls wundersame Geschichte (Ungekürzt) is about 3 minutes long, at 3:10. Based on our data, "Peter Schlemihls wundersame Geschichte - Der Märchen-Klassiker, Kapitel 16.2 & Peter Schlemihls wundersame Geschichte - Der Märchen-Klassiker, Kapitel 17.1 - Peter Schlemihls wundersame Geschichte (Ungekürzt)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 50 in the song's album "Peter Schlemihls wundersame Geschichte (Ungekürzt)". In this album, this song's track order is #18. Peter Schlemihls wundersame Geschichte - Der Märchen-Klassiker, Kapitel 16.2 & Peter Schlemihls wundersame Geschichte - Der Märchen-Klassiker, Kapitel 17.1 - Peter Schlemihls wundersame Geschichte (Ungekürzt) is unknown right now. Although the overall vibe is very danceable, it does project more negative sounds.
With Peter Schlemihls wundersame Geschichte - Der Märchen-Klassiker, Kapitel 16.2 & Peter Schlemihls wundersame Geschichte - Der Märchen-Klassiker, Kapitel 17.1 - Peter Schlemihls wundersame Geschichte (Ungekürzt) by Adelbert von Chamisso having a テンポ of 63 with a half-time of 32 テンポ and a double-time of 126 テンポ, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
9 Lieder und Gesänge, Op. 32: No. 5, Wehe, so willst du mich wieder | Johannes Brahms, Hélène Grimaud, Konstantin Krimmel | G Major | 4 | 9B | 60 BPM | ||
Bella porta di rubini | Andrea Falconieri, Elisabetta Pallucchi, Filippo Farinelli | F Major | 1 | 7B | 118 BPM | ||
Schwanengesang, D.957: In der Ferne | Franz Schubert, Dietrich Fischer-Dieskau, Alfred Brendel | E Major | 0 | 12B | 108 BPM | ||
Pray “Psalm 23” | Yohan Susilo | A♭ Major | 2 | 4B | 79 BPM | ||
Musicalisches Gesang-Buch Georg Christian Schemelli: I. No. 67, Kommt, Seelen, dieser Tag and Komm, Gott, Schöpfer, Heiliger Geist, BWV 479 & 370 | Johann Sebastian Bach, Masaaki Suzuki, Aki Matsui, Shimon Yoshida, Toru Yamamoto | E♭ Minor | 2 | 2A | 74 BPM | ||
Serse, HWV 40, Act I: O voi, che penate (Romilda, Arsamene, Elviro, Serse) | George Frideric Handel, Ann Murray, Ivor Bolton, Christopher Robson, Patricia Bardon, Umberto Chiummo, Yvonne Kenny, Julie Kaufmann, Jan Zinkler, Chor der Bayerischen Staatsoper, Bavarian State Orchestra | E Minor | 2 | 9A | 147 BPM | ||
Der Herr ist König, TWV 8:6: I. No. 6, Aria: Prahlet, Ihr Völker | Georg Philipp Telemann, Johann Sebastian Bach, Masaaki Suzuki, Bach Collegium Japan, Shimon Yoshida | E♭ Minor | 2 | 2A | 74 BPM | ||
Symphony No. 2, Op. 52, "Lobgesang": IX. Sopran solo, Tenor solo: Drum singe ich mit meinem Liede | Felix Mendelssohn, Tonhalle-Orchester Zürich, Paavo Järvi, Chen Reiss, Patrick Grahl | E Major | 1 | 12B | 72 BPM | ||
Der Stein der Weisen, Act I: Aria. Alle Wetter! O ihr Götter! | Wolfgang Amadeus Mozart, Johann Baptist Henneberg, Benedikt Schack, Franz Xaver Gerl, Emanuel Schikaneder, Boston Baroque, Martin Pearlman, Kevin Deas | E♭ Major | 2 | 5B | 77 BPM | ||
An die ferne Geliebte, Op. 98: No. 6, Nimm sie hin denn, diese Lieder | Ludwig van Beethoven, Mark Padmore, Mitsuko Uchida | E♭ Major | 0 | 5B | 76 BPM |