Slovak Radio Symphony Orchestra, Peter Breiner made "Kyrgyzstan: High Mountains, Valleys and Fields... (Olympic Version)" available on February 7, 2014. With Kyrgyzstan: High Mountains, Valleys and Fields... (Olympic Version) being less than two minutes long, at 1:00, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Winter Olympic Anthems: Sochi 2014, Vol. 1 by Slovak Radio Symphony Orchestra, Peter Breiner. The song's track number on the album is #41 out of 43 tracks. Kyrgyzstan: High Mountains, Valleys and Fields... (Olympic Version) is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
Since Kyrgyzstan: High Mountains, Valleys and Fields... (Olympic Version) by Slovak Radio Symphony Orchestra, Peter Breiner has a tempo of 83 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Kyrgyzstan: High Mountains, Valleys and Fields... (Olympic Version) being at 83 テンポ, the half-time would be 42 テンポ with a double-time of 166 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song has a musical key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die Puppenfee (The Fairy Doll): No. 14 Andante | Josef Bayer, Slovak Radio Symphony Orchestra, Andrew Mogrelia | F♯ Minor | 1 | 11A | 80 BPM | ||
Bruch: Violin Concerto No. 1 in G Minor, Op. 26: I. Prelude. Allegro moderato | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | E♭ Major | 1 | 5B | 113 BPM | ||
East Timor ["Fatherland, fatherland, East Timor our Nation!…"] (short) | Afonso de Araujo, Peter Breiner, Slovak Radio Symphony Orchestra | C Major | 3 | 8B | 138 BPM | ||
Venetian Carnival | Ronald Binge, Slovak Radio Symphony Orchestra, Ernest Tomlinson | G Major | 2 | 9B | 111 BPM | ||
Raymonda, Op. 57: Act I - Pizzicato | Alexander Glazunov, Moscow Symphony Orchestra, Alexander Anissimov | D Major | 0 | 10B | 104 BPM | ||
Myrthen, Op. 25: No. 1. Widmung (arr. J. Strauss II): Widmung (arr. J. Strauss II) | Robert Schumann, Johann Strauss II, Slovak Radio Symphony Orchestra, Michael Dittrich | E Major | 4 | 12B | 153 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : IV. Allegro | Arcangelo Corelli, Anna Holbling, Daniela Ruso, Quido Holbling, Ludovit Kanta, Capella Istropolitana | D Major | 3 | 10B | 129 BPM | ||
Pavane, Op. 50 | Gabriel Fauré, Slovak Radio Symphony Orchestra, Keith Clark | F♯ Minor | 0 | 11A | 117 BPM | ||
Peer Gynt, Op. 23: No. 16, Anitra's Dance | Edvard Grieg, San Francisco Symphony, Herbert Blomstedt | A Minor | 0 | 8A | 82 BPM | ||
The Ghost of Frankenstein: Arrival at Vasaria | Hans J. Salter, John Morgan, Slovak Radio Symphony Orchestra, William Stromberg | D Major | 0 | 10B | 133 BPM |