Ralph Vaughan Williams, Timothy Ridout, Jamie Phillips, Orchestre de Chambre de Lausanne's 'Suite for Viola & Orchestra, Group 1: I. Prelude. Allegro moderato' came out on February 28, 2020. The duration of Suite for Viola & Orchestra, Group 1: I. Prelude. Allegro moderato is about two minutes long, specifically at 2:59. This song does not appear to have any foul language. Suite for Viola & Orchestra, Group 1: I. Prelude. Allegro moderato's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Timothy Ridout, Orchestre de Chambre de Lausanne, Jamie Phillips's "Music for Viola & Chamber Orchestra: Vaughan Williams, Martinů, Hindemith & Britten" album is number 1 out of 15. Suite for Viola & Orchestra, Group 1: I. Prelude. Allegro moderato is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Suite for Viola & Orchestra, Group 1: I. Prelude. Allegro moderato by Ralph Vaughan Williams, Timothy Ridout, Jamie Phillips, Orchestre de Chambre de Lausanne to be Adagio (slowly with great expression) because the track has a tempo of 76 テンポ, a half-time of 38テンポ, and a double-time of 152 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Petite suite, L. 65: I. En bateau (Orch. by Henri Busser) | Claude Debussy, Yoav Talmi, Orchestre Symphonique De Québec | B Minor | 0 | 10A | 75 BPM | ||
Franck: Prélude, fugue et variation, Op. 18, FWV 30: Prélude | César Franck, Aldo Ciccolini | B Minor | 0 | 10A | 127 BPM | ||
Godowsky / Arr Heifetz: Alt Wien | Leopold Godowsky, Itzhak Perlman | G Major | 2 | 9B | 100 BPM | ||
Masques et Bergamasques Suite, Op. 112: I. Ouverture | Gabriel Fauré, Sinfonieorchester Basel, Ivor Bolton | F Major | 1 | 7B | 135 BPM | ||
6 Studies in English Folksong (Version for Cello & Piano): No. 1, Adagio "Lovely on the Water" | Ralph Vaughan Williams, Gerald Peregrine, Antony Ingham | E Minor | 0 | 9A | 69 BPM | ||
Lieder ohne Worte, Op. 85: No. 4 Andante sostenuto (Arr. Ottensamer for Clarinet and Piano) | Felix Mendelssohn, Andreas Ottensamer, Yuja Wang | D Major | 0 | 10B | 133 BPM | ||
Pärt: Tabula Rasa: I. Ludus | Arvo Pärt, Renaud Capuçon, François Sochard, Guillaume Bellom, Orchestre de Chambre de Lausanne | A Minor | 5 | 8A | 182 BPM | ||
Les Soirees de Pausilippe, Hommage a Rossini: 24 Pensees Musicales, Op. 75: VI. Vivace In E-Flat Major | Sigismond Thalberg, Francesco Nicolosi | A Minor | 1 | 8A | 120 BPM | ||
Sonata for cello and piano: I. Allegro - Tempo di Marcia | Francis Poulenc, Alexandre Tharaud, Jean-Guihen Queyras | A♭ Major | 1 | 4B | 131 BPM | ||
Violin Sonata in G Minor, L. 140: I. Allegro vivo | Claude Debussy, Isabelle Faust, Alexander Melnikov | D Minor | 0 | 7A | 93 BPM |