"Slavonic Dances, B.83: (Op.46 - Nos. 1-8); B.147 (Op.72 - Nos. 1-8): No. 2 in E Minor: Dumka (Allegretto grazioso), Op.72" by Berliner Philharmoniker, Lorin Maazel was released on November 12, 2007. Since Slavonic Dances, B.83: (Op.46 - Nos. 1-8); B.147 (Op.72 - Nos. 1-8): No. 2 in E Minor: Dumka (Allegretto grazioso), Op.72 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 54 in the song's album "The Berlin Philharmonic on EMI". In this album, this song's track order is #33. Slavonic Dances, B.83: (Op.46 - Nos. 1-8); B.147 (Op.72 - Nos. 1-8): No. 2 in E Minor: Dumka (Allegretto grazioso), Op.72 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Slavonic Dances, B.83: (Op.46 - Nos. 1-8); B.147 (Op.72 - Nos. 1-8): No. 2 in E Minor: Dumka (Allegretto grazioso), Op.72 by Berliner Philharmoniker, Lorin Maazel having a テンポ of 79 with a half-time of 40 テンポ and a double-time of 158 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Polonaise in A-Flat Major, Op. 53 | Frédéric Chopin, Evgeny Kissin | A♭ Major | 3 | 4B | 85 BPM | ||
Symphony No. 4 in E-Flat Major, WAB 104, "Romantic": I. Bewegt, nicht zu schnell - Live | Anton Bruckner, Günter Wand | A♭ Minor | 1 | 1A | 77 BPM | ||
Cello Concerto No. 1 in C Major, Hob.VIIb:1: III. Allegro molto | Joseph Haydn, Steven Isserlis, Sir Roger Norrington | B Minor | 4 | 10A | 119 BPM | ||
6 Hungarian Rhapsodies, S.359: No.5 In E Minor (No. 5 In Piano Version) | Franz Liszt, Ottomar Borwitzky, Berliner Philharmoniker, Herbert von Karajan | C Major | 1 | 8B | 78 BPM | ||
Abdelazer: Rondeau | Henry Purcell, Academy of St. Martin in the Fields, Sir Neville Marriner | B Minor | 1 | 10A | 66 BPM | ||
Salome, Op. 54, TrV 215 / Scene 4: Salome's Dance of the Seven Veils | Richard Strauss, Berliner Philharmoniker, Herbert von Karajan | F Major | 1 | 7B | 67 BPM | ||
Peer Gynt Suite No.2, Op.55: 2. Arabian Dance | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | F Major | 1 | 7B | 123 BPM | ||
Concerto In G Minor R439 Op.10 No.2 "La Notte": 3. Il sonno. Largo - Allegro | Antonio Vivaldi, Andreas Blau, Berliner Philharmoniker, Herbert von Karajan | G Minor | 2 | 6A | 124 BPM | ||
Die Schöpfung, Hob. XXI:2 / Dritter Teil: 29. Orchestereinleitung und Rezitativ: "Aus Rosenwolken bricht" | Franz Joseph Haydn, Werner Krenn, Josef Nebois, Ottomar Borwitzky, Berliner Philharmoniker, Herbert von Karajan | E Major | 1 | 12B | 102 BPM | ||
Raymonda, Op. 57: Act II - Variation I | Alexander Glazunov, Moscow Symphony Orchestra, Alexander Anissimov | D♭ Major | 0 | 3B | 83 BPM |