Arnold Schoenberg, Christine Schäfer, Ensemble Intercontemporain, Pierre Boulez's 'Pierrot Lunaire, Op. 21 / Part 1: VII. Der Kranke Mond' had a release date set for January 1, 1998. The duration of This song is about two minutes long, specifically at 2:12. This song does not appear to have any foul language. Pierrot Lunaire, Op. 21 / Part 1: VII. Der Kranke Mond's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 23 in the song's album "Schoenberg: Pierrot Lunaire; Herzgewächse; Ode to Napoleon". In this album, this song's track order is #7. Pierrot Lunaire, Op. 21 / Part 1: VII. Der Kranke Mond is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Pierrot Lunaire, Op. 21 / Part 1: VII. Der Kranke Mond by Arnold Schoenberg, Christine Schäfer, Ensemble Intercontemporain, Pierre Boulez having a テンポ of 74 with a half-time of 37 テンポ and a double-time of 148 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
F Minor is the music key of this track. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Adams: Nixon in China: Act II, Scene 1 - "This Is Prophetic!" | John Adams, Edo de Waart, Orchestra of St. Luke's | F Major | 0 | 7B | 87 BPM | ||
L'Oiseau de feu, K010: VIII. Jeu de princesses avec les pommes d'or | Igor Stravinsky, Chicago Symphony Orchestra, Pierre Boulez | D Major | 2 | 10B | 87 BPM | ||
Violin Concerto (1992): II. Aria, Hoquetus, Choral: Andante con moto - attacca | György Ligeti, Saschko Gawriloff, Ensemble Intercontemporain, Pierre Boulez | G Major | 0 | 9B | 90 BPM | ||
Ecco quel fiero istante, K. 436 | Wolfgang Amadeus Mozart, Christine Schäfer, Gundula Hintz, Dietrich Fischer-Dieskau, Bläser der Berliner Philharmoniker | D♭ Major | 1 | 3B | 126 BPM | ||
Moses und Aron / Act I: Einziger, ewiger, allgegenwärtiger (Moses, Stimme aus dem Dornbusch: 6 Solostimmen, Chor) | Arnold Schoenberg, David Pittman-Jennings, Royal Concertgebouw Orchestra, Pierre Boulez, Zaans Jongenskoor, Chorus Of The Netherlands Opera | D♭ Major | 1 | 3B | 81 BPM | ||
Jeux (Poème dansé), L.126: Très lent - Scherzando (Tempo initial) | Claude Debussy, Cleveland Orchestra, Pierre Boulez | B Major | 1 | 1B | 90 BPM | ||
Violin Concerto, Op. 30: IIIa. Scherzo pianissimo. Sempre volante, misterioso e appena sensibile | Alberto Ginastera, Hilary Hahn, Frankfurt Radio Symphony Orchestra, Andrés Orozco-Estrada | C Major | 3 | 8B | 135 BPM | ||
The Rake's Progress: Act III Scene 3: Duet: In a foolish dream… (Tom, Anne) | Igor Stravinsky, Jayne West, Jon Garrison, Arthur Woodley, John Cheek, Shirley Love, Wendy White, Melvin Lowery, Jeffrey Johnson, Gregg Smith Singers, Orchestra of St. Luke's, Robert Craft | E♭ Major | 1 | 5B | 89 BPM | ||
Schoenberg: Verklärte Nacht, Op. 4: II. Molto rallentando | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston | E Major | 2 | 12B | 76 BPM | ||
Stabat Mater, FP 148: 5. Quis est homo | Francis Poulenc, Kathleen Battle, Boston Symphony Orchestra, Seiji Ozawa, Tanglewood Festival Chorus, John Oliver | A Minor | 3 | 8A | 97 BPM |