"Les Contes d'Hoffmann / Act 3: Elle a fui la tourterelle" by Jacques Offenbach, Dame Joan Sutherland, L'Orchestre de la Suisse Romande, Richard Bonynge was released on July 2, 2021. With this song being around four minutes long, at 4:22, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 60 in the song's album "Offenbach". In this album, this song's track order is #59. The popularity of Les Contes d'Hoffmann / Act 3: Elle a fui la tourterelle is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Les Contes d'Hoffmann / Act 3: Elle a fui la tourterelle by Jacques Offenbach, Dame Joan Sutherland, L'Orchestre de la Suisse Romande, Richard Bonynge having a テンポ of 166 with a half-time of 83 テンポ and a double-time of 332 テンポ, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Serenade No. 2 in A Major, Op. 16: 2. Scherzo. Vivace | Johannes Brahms, Royal Concertgebouw Orchestra, Bernard Haitink | A Major | 1 | 11B | 179 BPM | ||
Il barbiere di Siviglia (The Barber of Seville): Overture | Gioachino Rossini, Zagreb Festival Orchestra, Michael Halasz | E Major | 1 | 12B | 171 BPM | ||
Die Forelle, Op. 32, D. 550 | Franz Schubert, Dietrich Fischer-Dieskau, Gerald Moore | E♭ Major | 1 | 5B | 102 BPM | ||
Sibelius: Karelia Suite, Op. 11: III. Alla marcia | Jean Sibelius, Sir John Barbirolli, Hallé | A Major | 3 | 11B | 83 BPM | ||
Sailing By | Ronald Binge, Slovak Radio Symphony Orchestra, Ernest Tomlinson | F Major | 0 | 7B | 80 BPM | ||
Masquerade Suite: I. Waltz | Aram Khachaturian, Kirill Kondrashin, RCA Victor Symphony Orchestra | C Major | 3 | 8B | 181 BPM | ||
Symphonie fantastique, Op. 14: Marche au supplice (Allegro non troppo) | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | B♭ Major | 2 | 6B | 147 BPM | ||
Symphony No. 7 in A Major, Op. 92: IV. Allegro con brio | Ludwig van Beethoven, Nicolaus Esterhazy Sinfonia, Béla Drahos | A Major | 3 | 11B | 146 BPM | ||
Gianni Schicchi: "O mio babbino caro" | Giacomo Puccini, Mirella Freni, Orchestra del Maggio Musicale Fiorentino, Bruno Bartoletti | A♭ Major | 1 | 4B | 171 BPM | ||
Liebestraum No. 3 in A-Flat Major, S. 541: Notturno III: O lieb, so lang du lieben kannst | Franz Liszt, Daniel Barenboim | A♭ Major | 0 | 4B | 139 BPM |