"Missa Salisburgensis: 3. Sonatae tam aris quam aulis servientes: Sonata XII" by Heinrich Ignaz Franz von Biber, Musica Antiqua Köln, Reinhard Goebel was released on January 1, 1998. With this song being about 5 minutes long, at 5:21, "Missa Salisburgensis: 3. Sonatae tam aris quam aulis servientes: Sonata XII" by Heinrich Ignaz Franz von Biber, Musica Antiqua Köln, Reinhard Goebel is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 4 out of 10 in Biber: Missa Salisburgensis by Heinrich Ignaz Franz von Biber, Musica Antiqua Köln, Reinhard Goebel, Gabrieli, Paul McCreesh. Missa Salisburgensis: 3. Sonatae tam aris quam aulis servientes: Sonata XII is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Missa Salisburgensis: 3. Sonatae tam aris quam aulis servientes: Sonata XII by Heinrich Ignaz Franz von Biber, Musica Antiqua Köln, Reinhard Goebel is Adagio (slowly with great expression), since this song has a tempo of 75 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony in C Major, J-C 4: III. Allegrissimo | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | F♯ Major | 1 | 2B | 137 BPM | ||
Concerto in G major Seibel 217: 3. Grave | Johann David Heinichen, Musica Antiqua Köln, Reinhard Goebel | B♭ Minor | 0 | 3A | 126 BPM | ||
Scene 1 | Francesca Caccini, Ferdinando Saracinelli, Ensemble Renaissance | F Major | 1 | 7B | 133 BPM | ||
Concerto 5 in A Minor, Op. 7: III. Allegro assai | Jean-Marie Leclair, Luis Otavio Santos, Les Muffatti, Peter Van Heyghen | B♭ Minor | 2 | 3A | 118 BPM | ||
Concert XXVII: Bourrasque - Sarabande | Monsieur de Sainte-Colombe, Jordi Savall, Wieland Kuijken | D♭ Minor | 0 | 12A | 140 BPM | ||
Concerto for Violin in G Minor, BWV 1056r: II. Largo | Johann Sebastian Bach, Combattimento | B♭ Major | 1 | 6B | 120 BPM | ||
Suite from Taffel-Consort: Volta | Thomas Simpson, Boreas Quartett Bremen | A♭ Major | 1 | 4B | 75 BPM | ||
12 Sonatas, Opera XVI, Op. 16 No. 1 (Excerpts): II. Largo | Isabella Leonarda, Emanuele Breda, Barbara Mauch-Heinke, Daniela Wartenberg, Toshinori Ozaki, Sofya Gandilyan | A Minor | 2 | 8A | 127 BPM | ||
Violin Concerto in D Major, Op. 7, No. 2: I. Adagio-Allegro | Jean-Marie Leclair, Elizabeth Wallfisch, Nicholas Kraemer | D♭ Major | 1 | 3B | 95 BPM | ||
Flute Concerto in A Minor, QV 5:238: III. Allegro assai | Johann Joachim Quantz, Mary Oleskiewicz, Concerto Armonico Budapest, Miklós Spányi | G Minor | 1 | 6A | 110 BPM |