Ludwig van Beethoven, Sir Neville Marriner, Academy of St. Martin in the Fields made "Beethoven: 12 Contredanses, WoO 14: No. 6 in C Major" available on May 17, 2024. With Beethoven: 12 Contredanses, WoO 14: No. 6 in C Major being less than two minutes long, at 1:19, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 24 in the song's album "The Academy in Concert. Albinoni: Adagio - Pachelbel: Canon - Bach: Air & Music By Beethoven, Handel, Mendelssohn, Mozart". In this album, this song's track order is #12. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Beethoven: 12 Contredanses, WoO 14: No. 6 in C Major's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Beethoven: 12 Contredanses, WoO 14: No. 6 in C Major by Ludwig van Beethoven, Sir Neville Marriner, Academy of St. Martin in the Fields having a テンポ of 125 with a half-time of 62 テンポ and a double-time of 250 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony in G Major, Eisen G8: IV. Allegro | Leopold Mozart, Toronto Chamber Orchestra, Kevin Mallon | D Major | 1 | 10B | 84 BPM | ||
Der Fischer und das Milchmädchen: VI. Air de Chassé par Écho | Giacomo Meyerbeer, Czech Philharmonic Chamber Orchestra, Dario Salvi | D Major | 1 | 10B | 77 BPM | ||
Piano Sonata No. 31 in A-Flat Major, Op. 110: I. Moderato cantabile molto espressivo | Ludwig van Beethoven, Dainius Vaičekonis | C Major | 1 | 8B | 89 BPM | ||
Rondo Fresco Ungaria per corno di bassetto e ottetto di fiati | Georg Druschetzky, Luigi Magistrelli, Italian Classical Consort | F Major | 1 | 7B | 136 BPM | ||
Flute Trio No. 1 in C Major, Hob. IV:1: II. Andante | Unknown, Franz Joseph Haydn, Jean-Pierre Rampal | G Major | 1 | 9B | 131 BPM | ||
交響曲 第41番 「ジュピター」 K.551~第3楽章 | リボル・ペシェック, Czech National Symphony Orchestra | G Major | 1 | 9B | 153 BPM | ||
Wachet auf, ruft uns die Stimme, Cantata BWV 140: 4. Zion Hears The Watchmen Singing BWV 140 (arr. orchestra) | Johann Sebastian Bach, Royal Philharmonic Orchestra, James Morgan | E♭ Major | 0 | 5B | 111 BPM | ||
Overture in D Major, Op. 8, No. 6: I. Allegro | Samuel Arnold, Toronto Chamber Orchestra, Kevin Mallon | D Major | 2 | 10B | 149 BPM | ||
Capriol Suite: 5. Pied-en- l'air | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | G Major | 1 | 9B | 113 BPM | ||
18 German Dances & Ecossaises, Op. 33, D. 783: No. 3, Tanz III - No. 4, Tanz IV - No. 5, Tanz V (Arr. for Orchestra by Johann Ritter von Herbeck) | Franz Schubert, Munich Radio Orchestra, Oscar Jockel | D Major | 0 | 10B | 91 BPM |