"Messe 'Salus Autem': Kyrie XV" by Public Domain, Dom Le Feuvre, Choeur des Bénédictins de l'Abbaye de Kergonan was released on July 8, 2010. With Messe 'Salus Autem': Kyrie XV being less than two minutes long, at 1:36, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Public Domain, Dom Le Feuvre, Choeur des Bénédictins de l'Abbaye de Kergonan's "Gregorian mass, salus autem" album is number 3 out of 22. The popularity of Messe 'Salus Autem': Kyrie XV is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Messe 'Salus Autem': Kyrie XV by Public Domain, Dom Le Feuvre, Choeur des Bénédictins de l'Abbaye de Kergonan to be Presto (very, very fast) because the track has a tempo of 189 テンポ, a half-time of 94テンポ, and a double-time of 378 テンポ. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ave Maris Stella | Dominio Público, Juliano Ravanello | C Major | 3 | 8B | 180 BPM | ||
Messe 'Salus Autem': Graduel 'Qui Sedes' | Public Domain, Dom Le Feuvre, Choeur des Bénédictins de l'Abbaye de Kergonan | E♭ Minor | 1 | 2A | 63 BPM | ||
Canto Gregoriano IV, Cuaresma y Semana Santa: Traditor y Benedictus | Coro De La Abadía Benedictina De Santo Domingo De Silos | E Major | 1 | 12B | 126 BPM | ||
Laudes (Capela) | Dominio Público, Juliano Ravanello | G Minor | 1 | 6A | 73 BPM | ||
Cantus Missarum: Ante Evangelium: Laudate dominum | Ambrosian Chant,, Cappella Musicale del Duomo di Milano, Luciano Migliavacca | G Major | 1 | 9B | 66 BPM | ||
Victimae Pascali Laudes: Sequence for Easter Octave | Gregorian Chant Schola of Saint Meinrad Archabbey | D Minor | 0 | 7A | 79 BPM | ||
Canto Gregoriano IV, Cuaresma y Semana Santa: Ubi Charitas | Coro De La Abadía Benedictina De Santo Domingo De Silos | B Minor | 1 | 10A | 77 BPM | ||
String Quartet in D Minor, ‘Intimate Voices’ Op. 56: I. Andante – Allegro molto moderato | Jean Sibelius, Public Domain, Ehnes Quartet | F♯ Major | 2 | 2B | 84 BPM | ||
Inviolata | The Benedictine Abbey of Saint Benôit-Du-Lac, Dom André Saint-Cyr | G Major | 0 | 9B | 187 BPM | ||
Missa Kyrie fons bonitatisI. Kyrie | Gregorian Chants, Karel Frana, Boni Puncti | F♯ Minor | 6 | 11A | 80 BPM |