"13 Preludes, Op. 32: No. 5 in G Major (Moderato)" by Sergei Rachmaninoff, Vladimir Ashkenazy was released on January 1, 1976. The duration of 13 Preludes, Op. 32: No. 5 in G Major (Moderato) is about 3 minutes long, at 3:18. Based on our data, "13 Preludes, Op. 32: No. 5 in G Major (Moderato)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 24 in the song's album "Rachmaninov: Preludes, Op.3 Nos. 2, 23 & 32". In this album, this song's track order is #16. Furthermore, we believe that the track originated from United Kingdom. 13 Preludes, Op. 32: No. 5 in G Major (Moderato) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 13 Preludes, Op. 32: No. 5 in G Major (Moderato) by Sergei Rachmaninoff, Vladimir Ashkenazy having a テンポ of 70 with a half-time of 35 テンポ and a double-time of 140 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Visions fugitives, Op.22: 8. Commodo | Sergei Prokofiev, Anna Gourari | G Major | 0 | 9B | 87 BPM | ||
Nocturne No.1 in E Flat Minor, Op.33, No.1 | Gabriel Fauré, Pascal Rogé | F♯ Major | 2 | 2B | 129 BPM | ||
Renaissance, Book 2: Sarabande (Lully) | Leopold Godowsky, Konstantin Scherbakov | E Minor | 0 | 9A | 94 BPM | ||
Novelette on a Theme of Manuel de Falla, FP 173 | Francis Poulenc, Pascal Rogé | D Major | 1 | 10B | 128 BPM | ||
6 Album Leaves, Op. 2, JB 1:51: No. 6, Andante ma non troppo | Bedřich Smetana, Jitka Čechová | E♭ Major | 0 | 5B | 74 BPM | ||
All-night Vigil, Op. 37, "Vespers": Come, let us worship | Sergei Rachmaninoff, Eugen Antoni, Raisa Palmu, Erja Wimeri, Finnish National Opera Chorus, Eric-Olof Söderström | G Minor | 2 | 6A | 100 BPM | ||
Intermezzo in A-Flat Major, Op. 76, No. 3 | Johannes Brahms, Arcadi Volodos | A♭ Major | 0 | 4B | 67 BPM | ||
Piano Sonata In F Minor, P. 16: III. Allegretto | Ottorino Respighi, Konstantin Scherbakov | B♭ Minor | 1 | 3A | 98 BPM | ||
Liebesleid (Love's Sorrow) | Fritz Kreisler, Sergei Rachmaninoff, RueiBin Chen | A Major | 2 | 11B | 98 BPM | ||
Scènes d'enfants: I. Cris dans la rue | Federico Mompou, Arcadi Volodos | C Major | 0 | 8B | 125 BPM |