"Passionsoratorium: Kommt! Lasst uns anbeten (Chorus)" by Johann Ernst Bach, Barbara Schlick, David Cordier, Christoph Prégardien, Stephen Varcoe, Rheinische Kantorei, Kleine Konzert, Das, Hermann Max was released on August 1, 2010. With Passionsoratorium: Kommt! Lasst uns anbeten (Chorus) being less than two minutes long, at 1:56, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 2 out of 44 in Bach: Passions-Oratorium by Johann Ernst Bach, Hermann Max. In terms of popularity, Passionsoratorium: Kommt! Lasst uns anbeten (Chorus) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Passionsoratorium: Kommt! Lasst uns anbeten (Chorus) by Johann Ernst Bach, Barbara Schlick, David Cordier, Christoph Prégardien, Stephen Varcoe, Rheinische Kantorei, Kleine Konzert, Das, Hermann Max is Moderato (at a moderate speed), since this song has a tempo of 114 テンポ. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 3/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Te Deum: VI. Tu ad liberandum | Giovanni Bononcini, Owen Rees, The Choir of The Queen's College Oxford, Academy of Ancient Music | B Minor | 2 | 10A | 71 BPM | ||
Jesu, meine Freude, BuxWV 60: VII. Weicht, ihr Trauergeister | Dietrich Buxtehude, Vox Luminis, Lionel Meunier, Ensemble Masques, Olivier Fortin | E Minor | 1 | 9A | 82 BPM | ||
Matthäus Passion, BWV 244, Pt. 1: I. Chorus with Chorale I/II, Kommt, ihr Töchter, helft mir klagen | Johann Sebastian Bach, Rufus Müller, Richard Jackson, Nancy Argenta, Lynda Lee, Jonathan Peter Kenny, Jamie MacDougall, Stephen Varcoe, Paul Goodwin, Jonathan Miller | E♭ Minor | 1 | 2A | 113 BPM | ||
Matthäuspassion, BWV 244: Er antwortete und sprach (Evangelist, Jesus, Judas) | Johann Sebastian Bach, Locky Chung, Raimund Nolte, Nico Van Der Meel, Kolner Kammerorchester, Helmut Muller-Bruhl | B Minor | 2 | 10A | 103 BPM | ||
Kuhnau: Magnificat in C Major: V. Chorus. "Quia fecit" | Johann Kuhnau, Hermann Max, Das Kleine Konzert, Rheinische Kantorei | D♭ Major | 2 | 3B | 109 BPM | ||
Gott fähret auf mit Jauchzen BWV 43 - Seconda parte | Johann Sebastian Bach, Ton Koopman, Amsterdam Baroque Orchestra & Choir, Johannete Zomer, Sandrine Piau, Sibylla Rubens, The Amsterdam Baroque Orchestra & Opera, Johannette Zomer | D Minor | 5 | 7A | 122 BPM | ||
Missa pro Defunctis in E-Flat Major, HocJ A1.3: V. Sanctus, 2. Hosanna | Niccolò Jommelli, Il Gardellino, Peter Van Heyghen | D Major | 2 | 10B | 110 BPM | ||
Wer ist der, so von Edom kömmt BWV 1167: I. No. 39, Der Gerechte kömmt um, BWV 1149 | Carl Heinrich Graun, Johann Sebastian Bach, Bach Collegium Japan, Masaaki Suzuki | E♭ Minor | 2 | 2A | 74 BPM | ||
Ich hatte viel Bekümmernis, BWV 21: Recitativo "Ach Jesu, meine Ruh" (Soprano, Bass) | Johann Sebastian Bach, Philippe Pierlot, Ricercar Consort, Maria Keohane, Mathias Vieweg | D Major | 1 | 10B | 77 BPM | ||
Requeim in C Minor, ZWV. 48: Kyrie - II | Jan Dismas Zelenka, Il Fondamento, Il Fondamento Choir, Monika Frimmer, Paul Dombrecht | D♭ Minor | 2 | 12A | 86 BPM |