"Sonata No. 1 in A Minor: IV. Adagio - Prestissimo - Adagio, e forte - Prestissimo" by Giovanni Battista Bassani, Ensemble StilModerno was released on December 11, 2012. With this song being about 5 minutes long, at 4:30, "Sonata No. 1 in A Minor: IV. Adagio - Prestissimo - Adagio, e forte - Prestissimo" by Giovanni Battista Bassani, Ensemble StilModerno is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 13 out of 58 in Bassani: Sinfonie, Op. 5 by Giovanni Battista Bassani, Ensemble StilModerno. Sonata No. 1 in A Minor: IV. Adagio - Prestissimo - Adagio, e forte - Prestissimo is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Sonata No. 1 in A Minor: IV. Adagio - Prestissimo - Adagio, e forte - Prestissimo by Giovanni Battista Bassani, Ensemble StilModerno is Andante (at a walking pace), since this song has a tempo of 77 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Marais: Pièces en trio: Suite No. 5 en mi mineur: X. Passacaille | Marin Marais, Ensemble Amalia | E♭ Minor | 2 | 2A | 118 BPM | ||
Membra Jesu Nostri, BuxWV 75, Ad genua: Aria "Salve Jesu, rex sanctorum" | Dietrich Buxtehude, Philippe Pierlot, Ricercar Consort, Jeffrey Thompson | C Minor | 2 | 5A | 90 BPM | ||
Violin Sonata No. 6 in C Minor, C. 143: I. — | Heinrich Ignaz Franz von Biber, Ars Antiqua Austria, Gunar Letzbor | B Minor | 1 | 10A | 85 BPM | ||
Gagliarda Terza detta la Talianella | The Royal Wind Music | A♭ Major | 1 | 4B | 169 BPM | ||
Sacrum, R.586 - rev. Franz Giegling: 2b Gloria: (Adagio) Et in terra pax | Antonio Vivaldi, Anthony Rolfe Johnson, John Alldis Choir, English Chamber Orchestra, Vittorio Negri, Olga Hegedus, Adrian Beers, John Constable | A Minor | 1 | 8A | 78 BPM | ||
Missa Quadragesimalis, MH 552: Kyrie | Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi | B♭ Minor | 1 | 3A | 135 BPM | ||
Membra Jesu nostri, BuxWV 75: IVb. Ad latus: Salve latus Salvatoris | Dietrich Buxtehude, Roberto Balconi, Daniele Carnovich, Mario Cecchetti, Roberta Invernizzi, Caterina Trogu, Radio Svizzera Choir, Lugano, Sonatori de la Gioiosa Marca, Accademia Instrumentale Italiana, Diego Fasolis | F♯ Minor | 2 | 11A | 100 BPM | ||
Tota pulchra es amica mea, F 11.15 - a 2 canto e tenore | Girolamo Frescobaldi, Lorenzo Ghielmi | C Minor | 1 | 5A | 0 BPM | ||
Messa Della Domenica: Canzon Dopo la Pistola | Girolamo Frescobaldi, Federico del Sordo, Schola Gregoriana Gregoriani Urbis Cantores, Alberto Turco | F♯ Major | 1 | 2B | 86 BPM | ||
Johannes-Passion, BWV 245.1: 35. Aria: Zerfließe, mein Herze | Johann Sebastian Bach, Andreas Reize, Akademie für Alte Musik Berlin, Leopold Görsch | D Major | 2 | 10B | 172 BPM |