"Concerto Grosso h-Moll, Op. 6, Nr. 12, HWV 330: 3. Larghetto, e piano - Variatio (Fluch der Karibik): I. Largo" by George Frideric Handel, Capella Istropolitana, Jozef Kopelman was released on June 15, 1989. The duration of Concerto Grosso h-Moll, Op. 6, Nr. 12, HWV 330: 3. Larghetto, e piano - Variatio (Fluch der Karibik): I. Largo is about two minutes long, specifically at 2:21. This song does not appear to have any foul language. Concerto Grosso h-Moll, Op. 6, Nr. 12, HWV 330: 3. Larghetto, e piano - Variatio (Fluch der Karibik): I. Largo's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in George Frideric Handel's "Handel: Concerti Grossi Op. 6, Nos. 8, 10 and 12" album is number 13 out of 21. On top of that, Hong Kong appears to be the country where this track was created. Concerto Grosso h-Moll, Op. 6, Nr. 12, HWV 330: 3. Larghetto, e piano - Variatio (Fluch der Karibik): I. Largo is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Concerto Grosso h-Moll, Op. 6, Nr. 12, HWV 330: 3. Larghetto, e piano - Variatio (Fluch der Karibik): I. Largo by George Frideric Handel, Capella Istropolitana, Jozef Kopelman to be Larghetto (rather broadly) because the track has a tempo of 66 テンポ, a half-time of 33テンポ, and a double-time of 132 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto a 5 in C Major, Op. 9, No. 9: II. Adagio (non troppo) | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | A Minor | 2 | 8A | 66 BPM | ||
Oboe Concerto in B-Flat Major, Wq. 164, H. 466: II. Largo e mesto | Carl Philipp Emanuel Bach, Jozsef Kiss, Budapest Ferenc Erkel Chamber Orchestra | G Minor | 1 | 6A | 149 BPM | ||
Symphony No. 82 in C Major, Hob.I:82, "L'ours" (The Bear): IV. Finale: Vivace | Franz Joseph Haydn, Capella Istropolitana, Barry Wordsworth | C Major | 2 | 8B | 72 BPM | ||
Concerto Grosso in D Major, Op. 6, No. 1: V. Largo | Arcangelo Corelli, Franz Liszt Chamber Orchestra, János Rolla | C Major | 1 | 8B | 168 BPM | ||
Symphony in D Minor, Op. 2 No. 8 "Worcester Overture": II. Largo - andante | William Boyce, Academy of St. Martin in the Fields, Sir Neville Marriner | F Major | 0 | 7B | 108 BPM | ||
Concerto for Oboe d'amore, Strings and Continuo in A: 1. Allegro | Antonio Lotti, Heinz Holliger, I Musici | A Major | 1 | 11B | 99 BPM | ||
Telemann: Concerto for 2 Flutes and Violone in A Minor, TWV 53:a1: III. Loure | Georg Philipp Telemann, Emmanuel Pahud, Berliner Barock Solisten, Jacques Zoon, Klaus Stoll, Rainer Kussmaul | G Minor | 4 | 6A | 120 BPM | ||
Concerto Grosso in E Minor, Op. 3, No. 3: IV. Allegro | Francesco Geminiani, Capella Istropolitana, Jaroslav Krcek | E Minor | 3 | 9A | 144 BPM | ||
Cello Concerto in D Major: I. (Allegro) | Ferdinand Zellbell (the younger), Asa Akerberg, Concerto Copenhagen, Andrew Manze | D♭ Major | 1 | 3B | 88 BPM | ||
Trio Sonata in E-Flat Major, Op. 8, No. 6: III. Presto | Giuseppe Tartini, Danubius Ensemble | D Major | 1 | 10B | 81 BPM |