True Jackson's 'The End of the Visible Spectrum' came out on October 24, 2020. The duration of The End of the Visible Spectrum is about 3 minutes long, at 3:17. Based on our data, "The End of the Visible Spectrum" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 8 in the song's album "Simulation". In this album, this song's track order is #8. Furthermore, we believe that the track originated from Canada. Based on our statistics, The End of the Visible Spectrum's popularity is unknown right now. Although the overall vibe is very danceable, it does project more negative sounds.
With The End of the Visible Spectrum by True Jackson having a テンポ of 139 with a half-time of 70 テンポ and a double-time of 278 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
gorgeous {basic's version} | gavino, basicluvv | B♭ Major | 8 | 6B | 90 BPM | ||
brighter days | dass | C Major | 5 | 8B | 91 BPM | ||
Minimum Wage | Prestyn Smith | A Major | 9 | 11B | 144 BPM | ||
Who's Gonna Save the World? | Rnzx | C Major | 6 | 8B | 145 BPM | ||
Italian Holiday Ciao | Ala Gauge | C Major | 4 | 8B | 147 BPM | ||
Backseat Nostalgia | The Matriarch | F Minor | 4 | 4A | 135 BPM | ||
Endless | Second Set | A Minor | 8 | 8A | 135 BPM | ||
Why'd You Only Call Me When You're High? | Shir Ben-Lulu | E Minor | 4 | 9A | 169 BPM | ||
Go Away | True Jackson, Jonah Roy | B♭ Minor | 5 | 3A | 90 BPM | ||
I Hope | Pasifik | D Major | 7 | 10B | 119 BPM |