Kurt Weill, Philip Langridge, Benjamin Luxon, Michael Rippon, London Sinfonietta, David Atherton's 'Das Berliner Requiem (1929): 1. Great Hymn of Thanksgiving: Sostenuto' came out on January 1, 1976. The duration of Das Berliner Requiem (1929): 1. Great Hymn of Thanksgiving: Sostenuto is about 3 minutes long, at 3:07. Based on our data, "Das Berliner Requiem (1929): 1. Great Hymn of Thanksgiving: Sostenuto" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Weill: Kleine Dreigroschenmusik; Mahagonny Songspiel; Happy End; Berliner Requiem; Violin Concerto by Kurt Weill, London Sinfonietta, David Atherton. The song's track number on the album is #15 out of 42 tracks. The popularity of Das Berliner Requiem (1929): 1. Great Hymn of Thanksgiving: Sostenuto is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Das Berliner Requiem (1929): 1. Great Hymn of Thanksgiving: Sostenuto by Kurt Weill, Philip Langridge, Benjamin Luxon, Michael Rippon, London Sinfonietta, David Atherton has a tempo of 167 beats per a minute, the tempo markings of this song would be Vivace (lively and fast). With Das Berliner Requiem (1929): 1. Great Hymn of Thanksgiving: Sostenuto being at 167 テンポ, the half-time would be 84 テンポ with a double-time of 334 テンポ.In addition, we consider the tempo speed to be pretty fast for this song. The time signature for this track is 3/4.
This song is in the music key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pavane pour une infante défunte, M. 19 | Maurice Ravel, Lucienne Renaudin Vary, Bill Elliott, BBC Concert Orchestra | E Minor | 1 | 9A | 87 BPM | ||
Je te veux | Erik Satie, Patricia Petibon, Susan Manoff, Christian-Pierre La Marca | C Major | 1 | 8B | 76 BPM | ||
Après Un Rêve Opus 7/1 | Gabriel Fauré, Susan Manoff, Sandrine Piau | F Minor | 0 | 4A | 105 BPM | ||
Shostakovich: Suite for Jazz Orchestra No. 1, Op. 38a: II. Polka | Dmitri Shostakovich, Philadelphia Orchestra, Mariss Jansons | C Major | 1 | 8B | 131 BPM | ||
Adams: Nixon in China: Act I, Scene 1 - "News Has a Kind of Mystery:" | John Adams, Edo de Waart, Orchestra of St. Luke's | D♭ Major | 2 | 3B | 153 BPM | ||
Waltz (Face of Another) | Toru Takemitsu, Yuri Bashmet, Wu Man, Moscow Soloists | F Minor | 1 | 4A | 71 BPM | ||
The Barber of Seville, Overture | Gioachino Rossini, The King's Singers | D Major | 1 | 10B | 147 BPM | ||
Treemonisha / Act one: No. 4 We're goin' around (A Ring Play) | Scott Joplin, Kenneth Hicks, Houston Grand Opera Chorus, Houston Grand Opera Orchestra, Gunther Schuller | G Major | 5 | 9B | 111 BPM | ||
Erlkönig, D.328 (Op. 1) | Franz Schubert, Jessye Norman, Phillip Moll | F♯ Minor | 1 | 11A | 76 BPM | ||
Giacomo Puccini: Madame Butterfly - Summchor | Chor der Staatsoper Wien, Vienna Volksoper Orchestra, Wilhelm Loibner | B♭ Major | 0 | 6B | 85 BPM |