Kurt Weill, Meriel Dickinson, London Sinfonietta, David Atherton's 'Happy End (1929) / Part 3 - Songs of the Rival Armies: 11. The little lieutenant of the loving God' came out on January 1, 1976. The duration of Happy End (1929) / Part 3 - Songs of the Rival Armies: 11. The little lieutenant of the loving God is about two minutes long, specifically at 2:27. This song does not appear to have any foul language. Happy End (1929) / Part 3 - Songs of the Rival Armies: 11. The little lieutenant of the loving God's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Weill: Kleine Dreigroschenmusik; Mahagonny Songspiel; Happy End; Berliner Requiem; Violin Concerto by Kurt Weill, London Sinfonietta, David Atherton. The song's track number on the album is #11 out of 42 tracks. In terms of popularity, Happy End (1929) / Part 3 - Songs of the Rival Armies: 11. The little lieutenant of the loving God is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Happy End (1929) / Part 3 - Songs of the Rival Armies: 11. The little lieutenant of the loving God by Kurt Weill, Meriel Dickinson, London Sinfonietta, David Atherton has a tempo of 106 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Happy End (1929) / Part 3 - Songs of the Rival Armies: 11. The little lieutenant of the loving God being at 106 テンポ, the half-time would be 53 テンポ with a double-time of 212 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lohengrin, WWV. 75: Prelude to Act I | Richard Wagner, Philadelphia Orchestra, Christian Thielemann | B Major | 1 | 1B | 72 BPM | ||
Die Dreigroschenoper: Akt III, Der reitende Bote ("Horch, horch, horch") | Kurt Weill, Trude Hesterberg, Erich Schellow, Willy Trenk-Trebitsch, Johanna von Koczian, Wilhelm Brückner-Rüggeberg | F Minor | 1 | 4A | 98 BPM | ||
Bolt, Op. 27a (Ballet Suite No. 5): IV. Koelkov's Dance with Friends (Tango) | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | E♭ Minor | 2 | 2A | 144 BPM | ||
Die Geschichte Eines Unbekannten Schauspielers (The Story of the Unknown Actor): Agitato I - Schlitten | Alfred Schnittke, Berlin Radio Symphony Orchestra, Frank Strobel | G Minor | 2 | 6A | 141 BPM | ||
Otto e mezzo - Suite: 5. Carlotta’s gallop | Nino Rota, Filarmonica della Scala, Riccardo Chailly | G Major | 6 | 9B | 169 BPM | ||
Strauss, R: 4 Letzte Lieder: No. 3, Beim Schlafengehen | Richard Strauss, Elisabeth Schwarzkopf, George Szell, Deutsches Symphonie-Orchester Berlin | D♭ Major | 1 | 3B | 90 BPM | ||
Faure: Aprés un rêve | Gérard Souzay | E Minor | 1 | 9A | 133 BPM | ||
In a Chinese Temple-Garden | Albert Ketèlbey, Ambrosian Opera Chorus, London Promenade Orchestra, Alexander Faris | D Major | 1 | 10B | 97 BPM | ||
Britten: Four Sea Interludes from Peter Grimes, Op. 33a: No. 2, Sunday Morning | Benjamin Britten, André Previn, London Symphony Orchestra | C Major | 2 | 8B | 114 BPM | ||
Valse Caprice | Vladislav Cojocaru | C Major | 3 | 8B | 147 BPM |