Léo Delibes, Jean-Baptiste Mari, Orchestre de l'Opéra National de Paris's 'Delibes: Coppélia ou la fille aux yeux d'émail , Act 1: No. 3, Mazurka (Ballet)' came out on November 9, 2009. With this song being about 5 minutes long, at 4:48, "Delibes: Coppélia ou la fille aux yeux d'émail , Act 1: No. 3, Mazurka (Ballet)" by Léo Delibes, Jean-Baptiste Mari, Orchestre de l'Opéra National de Paris is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 4 out of 51 in Delibes: Coppélia by Jean-Baptiste Mari, Orchestre de l'Opéra National de Paris. Delibes: Coppélia ou la fille aux yeux d'émail , Act 1: No. 3, Mazurka (Ballet) is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Delibes: Coppélia ou la fille aux yeux d'émail , Act 1: No. 3, Mazurka (Ballet) by Léo Delibes, Jean-Baptiste Mari, Orchestre de l'Opéra National de Paris is Adagio (slowly with great expression), since this song has a tempo of 74 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 1/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dvořák: Symphony No. 9 in E Minor, Op. 95, B. 178 "From the New World": I. Adagio - Allegro molto | Antonín Dvořák, Oslo Philharmonic Orchestra, Mariss Jansons | E Minor | 1 | 9A | 112 BPM | ||
Carmen, Opera Suite No. 1: II. Les Dragons d'Alcala, Act 2 | London Festival Orchestra Alfred Scholz | G Major | 0 | 9B | 120 BPM | ||
Strauss, R: Also sprach Zarathustra, Op. 30: Introduction | Richard Strauss, Staatskapelle Dresden, Rudolf Kempe | C Major | 2 | 8B | 71 BPM | ||
Scheherazade: The princess in a palanquin | Nikolai Rimsky-Korsakov, Joakim Svenheden | G Major | 1 | 9B | 166 BPM | ||
Spartacus - Ballet Suite: Adagio of Spartacus and Phrygia | Aram Khachaturian, London Symphony Orchestra, Stanley Black | A♭ Major | 1 | 4B | 85 BPM | ||
Sylvia: Act III: Divertissement: Strette - Galop | Léo Delibes, Razumovsky Symphony Orchestra, Andrew Mogrelia | G Major | 2 | 9B | 157 BPM | ||
Don Quixote: Act I: Quiteria (Kitri) enters | Ludwig Minkus, Sofia National Opera Orchestra, Nayden Todorov | G Major | 0 | 9B | 172 BPM | ||
Don Quixote: Act II: Gypsy Dance II | Ludwig Minkus, Sofia National Opera Orchestra, Nayden Todorov | D♭ Major | 2 | 3B | 78 BPM | ||
Prokofiev: Romeo and Juliet, Op. 64, Act 1, Scene 1: Introduction | Sergei Prokofiev, André Previn, London Symphony Orchestra | B Major | 0 | 1B | 105 BPM | ||
Alpine Rose - Polka Op. 127 | Eduard Strauss, Hallé, Bramwell Tovey | C Major | 0 | 8B | 112 BPM |