"La Gioconda (1997 - Remaster), Act I: Oh grido di quest'anima" by Amilcare Ponchielli, Pier Miranda Ferraro, Piero Cappuccilli, Orchestra Del Teatro Alla Scala, Milano, Antonino Votto, Orchestra Del Teatro Alla Scala Di Milan was released on 1960. The duration of La Gioconda (1997 - Remaster), Act I: Oh grido di quest'anima is about two minutes long, specifically at 2:45. This song does not appear to have any foul language. La Gioconda (1997 - Remaster), Act I: Oh grido di quest'anima's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 51 in the song's album "Ponchielli La gioconda". In this album, this song's track order is #11. The popularity of La Gioconda (1997 - Remaster), Act I: Oh grido di quest'anima is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With La Gioconda (1997 - Remaster), Act I: Oh grido di quest'anima by Amilcare Ponchielli, Pier Miranda Ferraro, Piero Cappuccilli, Orchestra Del Teatro Alla Scala, Milano, Antonino Votto, Orchestra Del Teatro Alla Scala Di Milan having a テンポ of 169 with a half-time of 84 テンポ and a double-time of 338 テンポ, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les Contes d'Hoffmann / Act 4: Entr'acte (Barcarolle) | Jacques Offenbach, Staatskapelle Dresden, Silvio Varviso | D Major | 0 | 10B | 121 BPM | ||
Music for the Royal Fireworks: Suite HWV 351: 4. La réjouissance | George Frideric Handel, Academy of Ancient Music, Christopher Hogwood | D♭ Major | 4 | 3B | 102 BPM | ||
Mendelssohn: A Midsummer Night's Dream, Incidental Music, Op. 61: No. 7, Notturno (Con moto tranquillo) | Felix Mendelssohn, Orchestra of the Age of Enlightenment, Sir Charles Mackerras | E Major | 0 | 12B | 93 BPM | ||
Symphony No. 2 in B-Flat Major, Op. 52, MWV A18 "Lobgesang": Ib. Allegretto un poco agitato | Felix Mendelssohn, NDR Radiophilharmonie, Andrew Manze | G Minor | 0 | 6A | 109 BPM | ||
La vie parisienne, Polka | Jacques Offenbach, Budapest Strauss Ensemble, Istvan Bogar | G Major | 4 | 9B | 105 BPM | ||
La Gioconda / Act 2: Ho! he! ho! he! Fissa il timone! | Amilcare Ponchielli, Sherrill Milnes, Neil Jenkins, Finchley Children's Music Group, The London Opera Chorus, National Philharmonic Orchestra, Bruno Bartoletti | C Major | 1 | 8B | 87 BPM | ||
Double Concerto in A Minor, Op. 102 for Violin, Cello and Orchestra: II. Andante | Johannes Brahms, Joshua Bell, Steven Isserlis, Academy of St. Martin in the Fields | G Major | 1 | 9B | 95 BPM | ||
Concerto Grosso in D Major, Op. 1, No. 5: I. Largo | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | D Major | 1 | 10B | 119 BPM | ||
Concerto For 4 Violins in B Minor, Op. 3, No. 10, RV 580 : I. Allegro | Cologne Chamber Orchestra, Renee Ohldin, Corinne Chapelle, Christine Pichlmeier, Lucas Barr, Antonio Vivaldi | B Minor | 3 | 10A | 118 BPM | ||
Jazz Suite No. 2: VIII. Finale | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | F Major | 4 | 7B | 141 BPM |