C. Pugni, Igor Zapravdin's ' "Battement tendu jeté" was released on its scheduled release date, October 14, 2018. With This song being less than two minutes long, at 1:33, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Igor Zapravdin's "Music of the Russian Imperial Ballet (The Exercices)" album is number 5 out of 29. Based on our statistics, Battement tendu jeté's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Battement tendu jeté by C. Pugni, Igor Zapravdin to be Allegro (fast, quick, and bright) because the track has a tempo of 129 テンポ, a half-time of 64テンポ, and a double-time of 258 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cinderella, Op.87: 13. Summer Fairy | Sergei Prokofiev, Cleveland Orchestra, Vladimir Ashkenazy | F Major | 1 | 7B | 74 BPM | ||
Ballet Suite No. 1 (Arr. Lev Atovmyan): V. Waltz-Joke from "The Bolt" | Dmitri Shostakovich, Neeme Järvi, Royal Scottish National Orchestra | F Major | 1 | 7B | 81 BPM | ||
Étude: Op. 76 No. 2 | Jean Sibelius, Alba Ventura | A Minor | 3 | 8A | 111 BPM | ||
Babes in Toyland: Eccentric Dance (Gavotte) | Victor Herbert, Razumovsky Symphony Orchestra, Keith Brion | F Major | 1 | 7B | 84 BPM | ||
Giselle: Act II: Variation de Giselle | Adolphe Adam, Academy of St. Martin in the Fields, Sir Neville Marriner | E♭ Major | 2 | 5B | 83 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 5 | Johannes Brahms, Péter Nagy | A Minor | 1 | 8A | 126 BPM | ||
Don Quixote: Act IV: Quiteria's Variation | Ludwig Minkus, Sofia National Opera Orchestra, Boris Spassov | E♭ Major | 1 | 5B | 106 BPM | ||
Pavane, Op. 50 | Gabriel Fauré, Sinfonieorchester Basel, Ivor Bolton | F♯ Minor | 0 | 11A | 66 BPM | ||
La Bayadere, Act III: 40. "Three Soloist Shades" | Evergreen Symphony Orchestra, Kevin Galiè | G Major | 0 | 9B | 181 BPM | ||
Firebird Suite: Danse infernale | Igor Stravinsky, Zdeněk Košler, Slovak Philharmonic | D♭ Major | 1 | 3B | 90 BPM |