Ludwig van Beethoven, Lynn Harrell, Vladimir Ashkenazy's 'Sonata for Cello and Piano No.1 in F, Op.5 No.1: 1a. Adagio sostenuto' came out on September 21, 1987. The duration of Sonata for Cello and Piano No.1 in F, Op.5 No.1: 1a. Adagio sostenuto is about 3 minutes long, at 3:05. Based on our data, "Sonata for Cello and Piano No.1 in F, Op.5 No.1: 1a. Adagio sostenuto" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 1 out of 18 in Beethoven: Cello Sonatas Nos. 1-5 by Ludwig van Beethoven, Lynn Harrell, Vladimir Ashkenazy. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Sonata for Cello and Piano No.1 in F, Op.5 No.1: 1a. Adagio sostenuto is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Sonata for Cello and Piano No.1 in F, Op.5 No.1: 1a. Adagio sostenuto by Ludwig van Beethoven, Lynn Harrell, Vladimir Ashkenazy is Andante (at a walking pace), since this song has a tempo of 95 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata for Violin and Piano in A: 4. Allegretto poco mosso | César Franck, Kaja Danczowska, Krystian Zimerman | E Major | 0 | 12B | 87 BPM | ||
Keyboard Sonata in C Major, Kk. 159: Allegro | Domenico Scarlatti, Ivo Pogorelich | C Major | 2 | 8B | 169 BPM | ||
In the Steppes of Central Asia | Alexander Borodin, Royal Philharmonic Orchestra, Vladimir Ashkenazy | A Major | 0 | 11B | 69 BPM | ||
Vieuxtemps: Violin Concerto No. 4 in D Minor, Op. 31: IV. Finale marciale | Henri Vieuxtemps, Itzhak Perlman, Daniel Barenboim, Orchestre de Paris | D Major | 3 | 10B | 76 BPM | ||
Violin Sonata No. 5 in F Major, Op. 24 "Spring": 3. Scherzo (Allegro molto) | Ludwig van Beethoven, Itzhak Perlman, Vladimir Ashkenazy | F Major | 3 | 7B | 132 BPM | ||
Cello Sonata No. 3 in A Major, Op. 69: III. Adagio cantabile - Allegro vivace | Ludwig van Beethoven, Emanuel Ax, Yo-Yo Ma | E Major | 1 | 12B | 79 BPM | ||
Prokofiev: Violin Concerto No. 2 in G Minor, Op. 63: II. Andante assai | Sergei Prokofiev, Maxim Vengerov, Mstislav Rostropovich, London Symphony Orchestra | G Major | 2 | 9B | 76 BPM | ||
String Quintet In C, D. 956: 3. Scherzo (Presto) - Trio (Andante sostenuto) | Franz Schubert, Mstislav Rostropovich, Emerson String Quartet | C Major | 2 | 8B | 107 BPM | ||
Tchaikovsky: Variations on a Rococo Theme, Op. 33: Variation IV - Andante grazioso - Un poco animato | Pyotr Ilyich Tchaikovsky, Munich Philharmonic Orchestra, Valery Gergiev | D Major | 1 | 10B | 117 BPM | ||
Grieg: Violin Sonata No. 3 in C Minor, Op. 45: II. Allegretto espressivo alla Romanza | Edvard Grieg, Renaud Capuçon, Khatia Buniatishvili | E Major | 1 | 12B | 79 BPM |