"Sny (Dreams): In Bohemia - a country tale (V Cechach: vesnicky vyjev)" by Bedřich Smetana, Kathryn Stott was released on June 1, 2007. With this song being about 5 minutes long, at 4:49, "Sny (Dreams): In Bohemia - a country tale (V Cechach: vesnicky vyjev)" by Bedřich Smetana, Kathryn Stott is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 13 in the song's album "Smetana: Dreams / Czech Dances / The Curious One". In this album, this song's track order is #3. Based on our statistics, Sny (Dreams): In Bohemia - a country tale (V Cechach: vesnicky vyjev)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Sny (Dreams): In Bohemia - a country tale (V Cechach: vesnicky vyjev) by Bedřich Smetana, Kathryn Stott having a テンポ of 121 with a half-time of 60 テンポ and a double-time of 242 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
E Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lyric Pieces, Book 9, Op. 68: Badnlat (Cradle Song) | Edvard Grieg, Einar Steen-Nøkleberg | E Major | 0 | 12B | 112 BPM | ||
Bruch: Violin Concerto No. 1 in G Minor, Op. 26: I. Prelude. Allegro moderato | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | E♭ Major | 1 | 5B | 113 BPM | ||
Poulenc: Cello Sonata, FP 143: II. Cavatine | Francis Poulenc, Daniel Müller-Schott/Robert Kulek | F♯ Major | 0 | 2B | 77 BPM | ||
Ravel: Sonatine, M. 40: II. Mouvement de menuet | Maurice Ravel, Bertrand Chamayou | D♭ Major | 0 | 3B | 131 BPM | ||
Morgen, Op. 27 No. 4 (Arr. Reger for Piano) | Richard Strauss, Angela Hewitt | A Major | 2 | 11B | 143 BPM | ||
Mendelssohn: 6 Lieder ohne Worte, Book 6, Op. 67: II. Allegro leggiero | Felix Mendelssohn, Leif Ove Andsnes | F♯ Minor | 1 | 11A | 182 BPM | ||
Dalibor, JB 1:101, Act III, Scene 6: Milada! (Dalibor, Milada) | Bedřich Smetana, Beno Blachut, Marie Podvalová, Prague National Theatre Orchestra, Jaroslav Krombholc | B Major | 1 | 1B | 51 BPM | ||
18 Études, Op. 109: No. 11, La sérénade | Franz Burgmüller, Carl Petersson | A Minor | 0 | 8A | 79 BPM | ||
5 Preludes, Op. 16: IV. Prelude No. 4 in E-Flat Minor: Lento | Alexander Scriabin, Evgeny Zarafiants | A Minor | 0 | 8A | 129 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): III. Intermezzo | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | A♭ Major | 3 | 4B | 161 BPM |