"Piano Concerto in A minor, Op. 16: II. Adagio - Live" by Edvard Grieg, Alice Sara Ott, Bavarian Radio Symphony Orchestra, Esa-Pekka Salonen was released on September 9, 2016. Since Piano Concerto in A minor, Op. 16: II. Adagio - Live is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Wonderland - Edvard Grieg: Piano Concerto, Lyric Pieces by Edvard Grieg, Alice Sara Ott, Bavarian Radio Symphony Orchestra, Esa-Pekka Salonen. The song's track number on the album is #2 out of 15 tracks. Based on our data, Germany was the country where this track was produced or recorded. Based on our statistics, Piano Concerto in A minor, Op. 16: II. Adagio - Live's popularity is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Piano Concerto in A minor, Op. 16: II. Adagio - Live by Edvard Grieg, Alice Sara Ott, Bavarian Radio Symphony Orchestra, Esa-Pekka Salonen has a tempo of 144 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Piano Concerto in A minor, Op. 16: II. Adagio - Live being at 144 テンポ, the half-time would be 72 テンポ with a double-time of 288 テンポ.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, jogging or cycling. The time signature for this track is 3/4.
D♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
3 Romances sans paroles, Op. 17: No. 3 in A-Flat Major (Arr. P. Gouin for Cello & Piano) | Gabriel Fauré, Jesper Svedberg, Simon Crawford-Phillips | A Major | 0 | 11B | 79 BPM | ||
Lyric Pieces, Book 5, Op. 54: Nocturne | Edvard Grieg, Alessio Bax | C Major | 0 | 8B | 72 BPM | ||
Sinfonia in C major, RV 112: II. Andante | Karoly Botvay | C Minor | 1 | 5A | 112 BPM | ||
Trio In G Minor, BWV 929 | Janos Sebestyen, Johann Sebastian Bach | G Minor | 2 | 6A | 126 BPM | ||
3 Romances, Op. 11: 1. Andante | Clara Schumann, Isata Kanneh-Mason | E♭ Minor | 0 | 2A | 127 BPM | ||
Raymonda, Op. 57: Act II - Variation I | Alexander Glazunov, Moscow Symphony Orchestra, Alexander Anissimov | D♭ Major | 0 | 3B | 83 BPM | ||
Dido and Aeneas, Z. 626 / Act III: "When I Am Laid in Earth" Dido's Lamento (Arr. by Mathieu Herzog for Cello and Strings) | Henry Purcell, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | G Minor | 1 | 6A | 77 BPM | ||
Lyric Pieces III, Op.43: 6. To The Spring | Edvard Grieg, Mikhail Pletnev | F♯ Major | 0 | 2B | 67 BPM | ||
Lieder ohne Worte, Op.19: No. 6 In G Minor (Andante sostenuto), MWV U 78 - "Venetian Gondola Song" | Felix Mendelssohn, Daniel Barenboim | G Minor | 0 | 6A | 82 BPM | ||
Lyric Suite, Op. 54: III. Notturno (Nocturne) | Edvard Grieg, Malmö Symphony Orchestra, Bjarte Engeset | C Major | 0 | 8B | 127 BPM |