"Tres douce dame, Ballade 24 a 2: I. Tres douce dame, que j’aour" by Guillaume de Machaut, Orlando Consort was released on July 28, 2023. With Tres douce dame, Ballade 24 a 2: I. Tres douce dame, que j’aour being less than two minutes long, at 1:24, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Guillaume de Machaut, Orlando Consort's "Machaut: The Fount of Grace" album is number 13 out of 45. On top of that, United Kingdom appears to be the country where this track was created. Tres douce dame, Ballade 24 a 2: I. Tres douce dame, que j’aour is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Tres douce dame, Ballade 24 a 2: I. Tres douce dame, que j’aour by Guillaume de Machaut, Orlando Consort to be Adagio (slowly with great expression) because the track has a tempo of 67 テンポ, a half-time of 34テンポ, and a double-time of 134 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tarantela por primer tono | Lucas Ruiz de Ribayaz, Stockholm Ensemble Villancico, Peter Pontvik | F♯ Major | 2 | 2B | 72 BPM | ||
Jesu dulcis memoria | Tomás Luis de Victoria, Voices of Ascension Chorus, Dennis Keene | A Minor | 1 | 8A | 52 BPM | ||
Tuba sacre fidei - In arboris (Arr. Harre-Jones) | Philippe de Vitry, Orlando Consort | G Major | 1 | 9B | 139 BPM | ||
La mi la Sol | Heinrich Isaac, Dorothee Mields, Boreas Quartett Bremen | E♭ Minor | 0 | 2A | 75 BPM | ||
A l'entrant d'este | Blondel De Nesle, Estampie, Graham Derrick | C Major | 0 | 8B | 133 BPM | ||
Mal un muta per effecto | Marchetto Cara, Shirley Rumsey | A Minor | 0 | 8A | 97 BPM | ||
Palestrina: Missa Papae Marcelli - 1c. Kyrie Eleison 2 | The Tallis Scholars, Peter Phillips | B Major | 3 | 1B | 84 BPM | ||
D'ung aultre amer / Lhome arme | Philippe Basiron, Capilla Flamenca | E Minor | 0 | 9A | 60 BPM | ||
Greiner, Zancker, Schnöpfitzer | Piffaro | D Major | 1 | 10B | 102 BPM | ||
Hé, dame de valour, Virelai 11 a 1: I. Hé, dame de valour | Guillaume de Machaut, Orlando Consort | C Major | 2 | 8B | 67 BPM |