Jean-Baptiste Lully, Arlette Steyer, Les Arts Florissants, William Christie's 'Atys, Prologue: Prélude pour Melpomène' came out on February 28, 1987. With Atys, Prologue: Prélude pour Melpomène being less than two minutes long, at 1:27, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Jean-Baptiste Lully, Les Arts Florissants, William Christie's "Lully: Atys" album is number 6 out of 74. The popularity of Atys, Prologue: Prélude pour Melpomène is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Atys, Prologue: Prélude pour Melpomène by Jean-Baptiste Lully, Arlette Steyer, Les Arts Florissants, William Christie to be Vivace (lively and fast) because the track has a tempo of 170 テンポ, a half-time of 85テンポ, and a double-time of 340 テンポ. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les Indes Galantes - Musette en Rondeau | Jean-Philippe Rameau, Jordi Savall, Le Concert Des Nations | F♯ Major | 2 | 2B | 0 BPM | ||
Sonata for violoncello and basso continuo in G Major, WKO 147: III. Rondeau | Carl Friedrich Abel, Elinor Frey, Lorenzo Ghielmi | F♯ Major | 2 | 2B | 147 BPM | ||
Le Bourgeois Gentilhomme, LWV 43: 1er Air des Espagnols - Sarabande (1670) | Jean-Baptiste Lully, Jordi Savall, Le Concert Des Nations | A♭ Major | 2 | 4B | 99 BPM | ||
Concerto Saint Marc: III. Andante | Tomaso Albinoni, John Roderick MacDonald, Martin Stephan | G Minor | 0 | 6A | 60 BPM | ||
Le Divertissement Royal de Versailles, LWV 38: Rondeau du Mariage Forcé (1664) | Jean-Baptiste Lully, Jordi Savall, Andrew Lawrence-King | E Minor | 0 | 9A | 96 BPM | ||
Alceste, LWV 50: Marche des Combattans (1674) | Jean-Baptiste Lully, Jordi Savall, Le Concert Des Nations | C Major | 3 | 8B | 173 BPM | ||
Idylle sur la paix: Air pour Madame la Dauphine | Jean-Baptiste Lully, Musica Antiqua Köln, Reinhard Goebel | A♭ Minor | 3 | 1A | 139 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : III. Largo | Arcangelo Corelli, Daniela Ruso, Anna Holbling, Ludovit Kanta, Quido Holbling, Capella Istropolitana | D Major | 1 | 10B | 78 BPM | ||
Apollo e Dafne, HWV 122: Aria: Felicissima quest'alma (Most fortunate is this soul) (Dafne) | George Frideric Handel, Roberta Invernizzi, Thomas E. Bauer, La Risonanza, Fabio Bonizzoni | F♯ Major | 1 | 2B | 172 BPM | ||
Suite in G minor: VII. Rigaudon (Arr. A. Camden) | George Frideric Handel, Anthony Camden, Julia Girdwood, City of London Sinfonia, Nicholas Ward | C Minor | 1 | 5A | 118 BPM |