"Four Dance Episodes from "Rodeo" (1999 Digital Remaster): Saturday-Night Waltz" by Aaron Copland, Sir Neville Marriner/Minnesota Orchestra, Sir Neville Marriner, Minnesota Orchestra was released on 1999. Four Dance Episodes from "Rodeo" (1999 Digital Remaster): Saturday-Night Waltz is about six minutes long, preciously at 5:32, making this song fairly long compared to other songs. The song is number 5 out of 7 in Barber:Adagio /Copland: El Salon Mexico, Four Episodes from Rodeo & Appalachian Spring. by Aaron Copland, Eugene Ormandy/Philadelphia Orchestra/Sir Neville Marriner/Minnesota Orchestra, Sir Neville Marriner, Minnesota Orchestra, Philadelphia Orchestra. Four Dance Episodes from "Rodeo" (1999 Digital Remaster): Saturday-Night Waltz is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Four Dance Episodes from "Rodeo" (1999 Digital Remaster): Saturday-Night Waltz by Aaron Copland, Sir Neville Marriner/Minnesota Orchestra, Sir Neville Marriner, Minnesota Orchestra is Andante (at a walking pace), since this song has a tempo of 85 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mouret: Rondeau | Schmuzick Productions | D Major | 3 | 10B | 78 BPM | ||
Sonata in G Major, Kk. 427 (Arr. for Accordion by Philippe Thuriot) | Domenico Scarlatti, Philippe Thuriot | E Major | 1 | 12B | 140 BPM | ||
Variations on a Theme by Haydn in B-Flat Major, Op. 56a: VII. Grazioso | Johannes Brahms, Sir Charles Mackerras, Scottish Chamber Orchestra | E Minor | 0 | 9A | 101 BPM | ||
Concerto in E-Fat Major, Hob. Vlle: 1: II. Andante | Joseph Haydn, Rex Richardson, Classic FM Radio Orchestra, Grigor Palikarov | G Major | 1 | 9B | 125 BPM | ||
El Sálon México | Aaron Copland, John Wilson, BBC Philharmonic | A Minor | 0 | 8A | 110 BPM | ||
Sonate e Partite: No. 38, Allegro | Francesco Lecce, Claudio Ferrarini | C Major | 2 | 8B | 67 BPM | ||
Goodbye | Ben Flos | B Minor | 2 | 10A | 75 BPM | ||
Fantasia dall'Italia: "Nel cor più non mi sento" dalla Bella Molinara di Giovanni Paisiello, Op. 4: VII. Variazione V | Theobald Boehm, Claudio Ferrarini, Accademia Farnese | G Major | 5 | 9B | 116 BPM | ||
The Mill on the Brook, Kinderleben Op.62 No.10 (Theodor Kullak) | The Gerst Ensemble | A Major | 0 | 11B | 77 BPM | ||
Holst: St. Paul's Suite, Op. 29 No. 2: III. Intermezzo | Gustav Holst, Sir Neville Marriner, Academy of St. Martin in the Fields | E Minor | 1 | 9A | 62 BPM |