"Piano Concerto No. 5, Op. 73 "Emperor": I. Allegro" by Ludwig van Beethoven, Emil Gilels, George Szell, Cleveland Orchestra was released on 1970. Since Piano Concerto No. 5, Op. 73 "Emperor": I. Allegro is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 1 out of 3 in Beethoven Piano Concerto No. 5 "Emperor" by Ludwig van Beethoven, Emil Gilels, George Szell, Cleveland Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Piano Concerto No. 5, Op. 73 "Emperor": I. Allegro's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Piano Concerto No. 5, Op. 73 "Emperor": I. Allegro by Ludwig van Beethoven, Emil Gilels, George Szell, Cleveland Orchestra is Allegro (fast, quick, and bright), since this song has a tempo of 128 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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La traviata*: Act I: Prelude | Giuseppe Verdi, Monika Krause, Rannveig Braga, Ivica Neshybova, Yordy Ramiro, Georg Tichy, Peter Oswald, Pavol Maurery, Ladislav Neshyba, Jozef Spacek, Peter Subert, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Alexander Rahbari | C Minor | 1 | 5A | 75 BPM | ||
Préludes / Book 1, L.117: 8. La fille aux cheveux de lin | Claude Debussy, Werner Haas | F♯ Major | 0 | 2B | 135 BPM | ||
Symphony No. 4 in B-Flat Major, Op. 60: IV. Allegro ma non troppo | Ludwig van Beethoven, Antonello Manacorda, Kammerakademie Potsdam | E♭ Major | 0 | 5B | 67 BPM | ||
Symphony No.9 In D Minor, Op.125 - "Choral": 2. Molto vivace | Ludwig van Beethoven, Bavarian Radio Symphony Orchestra, Members of the Staatskapelle Dresden, Members of the Kirov Orchestra, Leningrad, Members Of The London Symphony Orchestra, Members Of The New York Philharmonic, Members of the Orchestre de Paris, Leonard Bernstein | D Minor | 2 | 7A | 112 BPM | ||
Le barbier de Séville Largo al factotum - Instrumental Version | Arthur Fiedler, Boston Pops Orchestra | C Major | 4 | 8B | 77 BPM | ||
Haydn: Symphony No. 94 in G Major, Hob. I:94 "Surprise": IV. Finale. Allegro di molto | Franz Joseph Haydn, André Previn, Pittsburgh Symphony Orchestra | G Major | 2 | 9B | 140 BPM | ||
Chopin: Piano Sonata No. 1 in C Minor, Op. 4: I. Allegro maestoso | Frédéric Chopin, Leif Ove Andsnes | C Minor | 1 | 5A | 76 BPM | ||
Dvořák: Symphony No. 9 in E Minor, Op. 95, B. 178 "From the New World": I. Adagio - Allegro molto | Antonín Dvořák, Oslo Philharmonic Orchestra, Mariss Jansons | E Minor | 1 | 9A | 112 BPM | ||
Piano Concerto No. 2 in C Minor, Op. 18: I. Moderato | Sergei Rachmaninoff, Arthur Rubinstein, Fritz Reiner | C Minor | 1 | 5A | 71 BPM | ||
21 Hungarian Dances, WoO 1 (version for orchestra): Hungarian Dance No. 1 (orch. J. Brahms) | Johannes Brahms, Budapest Symphony Orchestra, Istvan Bogar | G Minor | 2 | 6A | 135 BPM |