"Rachmaninov: Vespers, Op. 37: X. Voskreseniye Khristovo videvshe" by Sergei Rachmaninoff, Choir of King's College, Cambridge, Stephen Cleobury was released on April 20, 1999. The duration of Rachmaninov: Vespers, Op. 37: X. Voskreseniye Khristovo videvshe is about two minutes long, specifically at 2:56. This song does not appear to have any foul language. Rachmaninov: Vespers, Op. 37: X. Voskreseniye Khristovo videvshe's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 16 in the song's album "Rachmaninov Vespers". In this album, this song's track order is #11. Furthermore, we believe that the track originated from United Kingdom. The popularity of Rachmaninov: Vespers, Op. 37: X. Voskreseniye Khristovo videvshe is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Rachmaninov: Vespers, Op. 37: X. Voskreseniye Khristovo videvshe by Sergei Rachmaninoff, Choir of King's College, Cambridge, Stephen Cleobury having a テンポ of 174 with a half-time of 87 テンポ and a double-time of 348 テンポ, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dona Nobis Pacem: Agnus Dei | Ralph Vaughan Williams, Christina Pier, Matthew Brook, The Bach Choir, Bournemouth Symphony Orchestra, David Hill | G Minor | 1 | 6A | 85 BPM | ||
3 Sacred Hymns: No. 1. Bogoroditse devo, raduysya, Blagodotnaya Marie (Hail Mary, full of Grace) | Alfred Schnittke, Bavarian Radio Chorus, Peter Dijkstra | E♭ Major | 1 | 5B | 69 BPM | ||
Vespers, Op. 37: X. "Voskreseniye Khristovo videvshe" | Sergei Rachmaninoff, St.Petersburg Chamber Choir, Nikolai Korniev | D Minor | 1 | 7A | 65 BPM | ||
Mass in E-Flat Major (Cantus missae), Op.109: VI. Agnus Dei | Josef Rheinberger, Kammerchor Stuttgart, Ensemble Stuttgart, Frieder Bernius | E♭ Major | 1 | 5B | 76 BPM | ||
Nolo mortem peccatoris | Thomas Morley, Stile Antico | F Minor | 1 | 4A | 79 BPM | ||
Five Mystical Songs: No. 1, Easter | Ralph Vaughan Williams, Bryden Thomson, London Philharmonic Orchestra, Brian Rayner Cook, London Philharmonic Choir | D Major | 2 | 10B | 78 BPM | ||
Hear My Prayer | Henry Purcell, Vox Luminis, Lionel Meunier | B Minor | 1 | 10A | 175 BPM | ||
Requiem in C Minor: I. Introitus | Luigi Cherubini, Filharmonie Brno, Czech Philharmonic Chorus Brno, Petr Fiala | A♭ Major | 0 | 4B | 58 BPM | ||
I Was Glad | Hubert Parry, Choir of King's College, Cambridge, James Vivian, Robert Quinney, Stephen Cleobury | B♭ Major | 2 | 6B | 82 BPM | ||
Requiem: Psalm 121 | Herbert Howells, Conspirare, Craig Hella Johnson | B Minor | 0 | 10A | 65 BPM |