Traditional, Ars Choralis Coeln, Maria Jonas, Uta Kirsten's 'Puer natus in bethleem' came out on July 20, 2007. The duration of Puer natus in bethleem is about 3 minutes long, at 3:07. Based on our data, "Puer natus in bethleem" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 20 in the song's album "Rose van Jhericho (Das Liederbuch der Anna von Köln)". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Germany. Puer natus in bethleem is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Puer natus in bethleem by Traditional, Ars Choralis Coeln, Maria Jonas, Uta Kirsten having a テンポ of 70 with a half-time of 35 テンポ and a double-time of 140 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Emerging from Autumn | Elben Schutte, Daniel Caleb Matthee | G Major | 1 | 9B | 84 BPM | ||
Compostela "Ad vesperas Sancti Iacobi": I. Hymnus peregrinorum "Dum pater familias" | Codex Calixtinus, Ensemble Organum, Marcel Pérès | E Minor | 3 | 9A | 82 BPM | ||
Audivi vocem de caelo | Thomas Tallis, Andrew Parrott, Taverner Choir, Taverner Consort | B♭ Minor | 1 | 3A | 78 BPM | ||
Dances From the English Dancing Master: Stingo 2 | John Playford, Folger Consort | A Minor | 1 | 8A | 172 BPM | ||
Sing we and chaunt it | Robert Lucas Pearsall, Pre-Raphaelite Singer, The, Anthony Rooley | D♭ Minor | 2 | 12A | 107 BPM | ||
Hymne Chrétienne d'Oxyrhynchus | Roberto Gerhard, Gregorio Paniagua | A Major | 0 | 11B | 143 BPM | ||
Susato: 12 Dances from the Danserye: III. Ronde and Salterelie | Tylman Susato, David Munrow | F Major | 2 | 7B | 112 BPM | ||
Caritas abundat: Psalm 130/131 | Hildegard von Bingen, Benedictine Nuns of the Abbey of St. Hildegard Eibingen | D Minor | 0 | 7A | 75 BPM | ||
Tallis: Loquebantur Variis Linguis - 2. Repleti Sunt Omnes | The Tallis Scholars, Peter Phillips | F Minor | 1 | 4A | 61 BPM | ||
Sacred Concerto No. 15, "Priidite, vospoim lyudiye" (Come, let us praise in song, O people): II. Adagio | Dmitry Bortniansky, Ensemble Cherubim, Marika Kuzma | E♭ Minor | 0 | 2A | 94 BPM |