Yoshino Nanjo made "きみを探しに" available on July 22, 2015. With this song being around four minutes long, at 3:42, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There is only one song in 東京 1/3650, so we believe that "きみを探しに" is a single. The popularity of きみを探しに is currently not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of きみを探しに by Yoshino Nanjo is Vivace (lively and fast), since this song has a tempo of 175 テンポ. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
The music key of this track is F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
azure | TrySail | E Major | 9 | 12B | 140 BPM | ||
study§steady day! | solfa, Ceui, Haruka Shimotsuki | A Major | 9 | 11B | 133 BPM | ||
ReSTARTING!! | Aimi | E Major | 9 | 12B | 124 BPM | ||
クラクラ | Nao Toyama | D♭ Major | 3 | 3B | 127 BPM | ||
もっと高く | 鈴木愛奈 | F Major | 9 | 7B | 136 BPM | ||
革命前夜 | Yuka Iguchi | B♭ Major | 7 | 6B | 141 BPM | ||
azurite | Petit Milady | D Major | 10 | 10B | 183 BPM | ||
好きだって言えなくて | Yukari Tamura | F Major | 10 | 7B | 159 BPM | ||
Counterattack of a wimp | 悠木碧 | D♭ Major | 9 | 3B | 99 BPM | ||
Hello, 1st contact! | Maaya Uchida | G Major | 9 | 9B | 142 BPM |