Fabiana Anastácio made "Não Ficarei Aqui" available on August 12, 2012. Não Ficarei Aqui is about six minutes long, preciously at 5:42, making this song fairly long compared to other songs. The song is number 1 out of 26 in Adorador 1 by Fabiana Anastácio. The popularity of Não Ficarei Aqui is currently below average in popularity right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Não Ficarei Aqui by Fabiana Anastácio is Vivace (lively and fast), since this song has a tempo of 160 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 4/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Controlo Tudo | Eula Cris | E♭ Minor | 8 | 2A | 116 BPM | ||
Medley - Aqui Viemos / Vamos Adorar a Deus / Alfa e Omega | Banda & Voz | C Major | 6 | 8B | 68 BPM | ||
Jardim Secreto da Adoração | Alda Célia | B Major | 5 | 1B | 150 BPM | ||
Unção | Andrea Fontes | D♭ Major | 7 | 3B | 135 BPM | ||
Foi Deus Quem Falou | Beatriz | A Major | 8 | 11B | 109 BPM | ||
As Três Coroas | Marcos Antônio | F♯ Major | 4 | 2B | 108 BPM | ||
Livre pra Voar | Elias Silva | B Major | 4 | 1B | 141 BPM | ||
Me Arrepender | Marquinhos Gomes | D Major | 4 | 10B | 119 BPM | ||
Jesus Chegou | Fabiana Anastácio | F Major | 8 | 7B | 152 BPM | ||
Qual É o Verdadeiro Deus | Alisson e Neide | E Minor | 6 | 9A | 148 BPM |