Dmitri Shostakovich, Irina Mataeva, Anna Kiknadze, Dmitry Voropaev, Mark van Tongeren, Barbara Buchholz, Ulrich Edelmann, Frankfurt Vocal Ensemble, Frankfurt Radio Symphony Orchestra, Mark Fitz-Gerald made "Odna (Alone), Op. 26 (reconstructed by M. Fitz-Gerald): Reel 5, Kuzmina Teaches in the Open Air: The Bai Shouts Back at Her" available on January 27, 2008. With Odna (Alone), Op. 26 (reconstructed by M. Fitz-Gerald): Reel 5, Kuzmina Teaches in the Open Air: The Bai Shouts Back at Her being less than two minutes long, at 1:10, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 48 in the song's album "Shostakovich: Odna (Alone)". In this album, this song's track order is #35. Furthermore, we believe that the track originated from Hong Kong. Odna (Alone), Op. 26 (reconstructed by M. Fitz-Gerald): Reel 5, Kuzmina Teaches in the Open Air: The Bai Shouts Back at Her is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Odna (Alone), Op. 26 (reconstructed by M. Fitz-Gerald): Reel 5, Kuzmina Teaches in the Open Air: The Bai Shouts Back at Her by Dmitri Shostakovich, Irina Mataeva, Anna Kiknadze, Dmitry Voropaev, Mark van Tongeren, Barbara Buchholz, Ulrich Edelmann, Frankfurt Vocal Ensemble, Frankfurt Radio Symphony Orchestra, Mark Fitz-Gerald having a テンポ of 78 with a half-time of 39 テンポ and a double-time of 156 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
A♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No.9 In D Minor, Op.125 - "Choral" - Excerpt From 4th Movement: 4. Presto | Ludwig van Beethoven, Berliner Philharmoniker, Herbert von Karajan | D Major | 1 | 10B | 74 BPM | ||
Serenade in B-Flat Major, K. 361 "Gran Partita": III. Adagio | Wolfgang Amadeus Mozart, Orpheus Chamber Orchestra | E♭ Major | 0 | 5B | 68 BPM | ||
Symphony No. 9 in E Minor, Op. 95 "From the New World": III. Scherzo. Molto vivace | Antonín Dvořák, New York Philharmonic, Alan Gilbert | C Major | 1 | 8B | 121 BPM | ||
Cello Concerto No. 1 in A Minor, Op. 33: I. Allegro non troppo | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | F Major | 2 | 7B | 131 BPM | ||
Raymonda, Op. 57: Act II - Variation I | Alexander Glazunov, Moscow Symphony Orchestra, Alexander Anissimov | D♭ Major | 0 | 3B | 83 BPM | ||
Chamber Symphony in C Minor, Op. 110a (arr. R. Barshai from String Quartet No. 8 for orchestra): IV. Largo | Rudolf Barshai, Dmitri Shostakovich, Capella Istropolitana, Pawel Przytocki | D♭ Major | 0 | 3B | 88 BPM | ||
Shostakovich: Suite from the Age of Gold, Op. 22: II. Polka | Dmitri Shostakovich, Orchestre Philharmonique de Radio France, Paavo Järvi | D Minor | 1 | 7A | 91 BPM | ||
Handel / Orch. Hale: Keyboard Suite No. 4 in D Minor, HWV 437: III. Sarabande | George Frideric Handel, Alexander Briger, Academy of St. Martin in the Fields | D Minor | 0 | 7A | 116 BPM | ||
Kinderszenen, Op.15: 1. Von fremden Ländern und Menschen | Robert Schumann, Martha Argerich | G Major | 0 | 9B | 128 BPM | ||
Lohengrin: Prelude | Richard Wagner, Slovak Philharmonic, Michael Halasz | A Major | 0 | 11B | 75 BPM |