Giacomo Puccini, Orchestra Del Teatro Alla Scala, Milano, Victor de Sabata's 'Puccini: Tosca, Act 3 Scene 1: Le campane suonano mattutino (Lento)' came out on 1953. The duration of Puccini: Tosca, Act 3 Scene 1: Le campane suonano mattutino (Lento) is about two minutes long, specifically at 2:48. This song does not appear to have any foul language. Puccini: Tosca, Act 3 Scene 1: Le campane suonano mattutino (Lento)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 44 in the song's album "Puccini : Tosca". In this album, this song's track order is #19. Furthermore, we believe that the track originated from United Kingdom. Puccini: Tosca, Act 3 Scene 1: Le campane suonano mattutino (Lento) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Puccini: Tosca, Act 3 Scene 1: Le campane suonano mattutino (Lento) by Giacomo Puccini, Orchestra Del Teatro Alla Scala, Milano, Victor de Sabata having a テンポ of 88 with a half-time of 44 テンポ and a double-time of 176 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Bohème - Opera in four acts (1991 Digital Remaster), Act III: Addio. Che! Vai? (Mimì/Rodolfo) | Giacomo Puccini, Renata Scotto, James Levine, National Philharmonic Orchestra | D♭ Major | 0 | 3B | 91 BPM | ||
Norma - Critical Edition by Maurizio Biondi and Riccardo Minasi / Act 1 Scene 1: "Deh! proteggimi, o Dio!" | Vincenzo Bellini, Sumi Jo, Orchestra La Scintilla, Giovanni Antonini | D♭ Major | 0 | 3B | 95 BPM | ||
L’arlésienne Suite No. 1, Op. 23bis, WD 40: II. Menuet | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | A♭ Major | 0 | 4B | 94 BPM | ||
L'elisir d'amore / Act 1: "Esulti pur la barbara" | Gaetano Donizetti, Luciano Pavarotti, Dame Joan Sutherland, English Chamber Orchestra, Richard Bonynge | F Major | 2 | 7B | 109 BPM | ||
Romeo and Juliette, Act II: Entr'acte | Charles Gounod, Michel Plasson, Wolff, Orchestre Du Capitole De Toulouse | G Major | 0 | 9B | 111 BPM | ||
La Bohème / Act 1: "Si può" - "Chi è là?" | Giacomo Puccini, Michel Sénéchal, Rolando Panerai, Luciano Pavarotti, Nicolai Ghiaurov, Gianni Maffeo, Berliner Philharmoniker, Herbert von Karajan | A Major | 2 | 11B | 115 BPM | ||
Carmen (1997 - Remaster), Act II: Vivat! vivat le Toréro! | Georges Bizet, Jacques Mars/Orchestre de l'Opéra National de Paris/Georges Prêtre, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra | C Major | 3 | 8B | 114 BPM | ||
Pagliacci / Act 1: "Recitar!" - "Vesti la giubba" | Ruggero Leoncavallo, Carlo Bergonzi, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan | E Minor | 2 | 9A | 83 BPM | ||
L'elisir d'amore / Act I: "Bel conforto" | Gaetano Donizetti, Dawn Upshaw, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, James Levine | F Major | 2 | 7B | 119 BPM | ||
Norma (1997 Digital Remaster): Casta Diva | Maria Callas, Tullio Serafin, Orchestra Del Teatro Alla Scala, Milano | F Major | 1 | 7B | 169 BPM |