"Pulcinella, Ballet in One Act After Pergolesi for Soprano, Tenor, Bass, Soloists and Orchestra: XVIII. Vivo" by Igor Stravinsky, Vladimir Jurowski, London Philharmonic Orchestra was released on April 26, 2024. With Pulcinella, Ballet in One Act After Pergolesi for Soprano, Tenor, Bass, Soloists and Orchestra: XVIII. Vivo being less than two minutes long, at 1:34, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Igor Stravinsky, Vladimir Jurowski, London Philharmonic Orchestra, London Philharmonic Choir's "Jurowski conducts Stravinsky, Vol. 3 (Live)" album is number 18 out of 43. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Pulcinella, Ballet in One Act After Pergolesi for Soprano, Tenor, Bass, Soloists and Orchestra: XVIII. Vivo's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Pulcinella, Ballet in One Act After Pergolesi for Soprano, Tenor, Bass, Soloists and Orchestra: XVIII. Vivo by Igor Stravinsky, Vladimir Jurowski, London Philharmonic Orchestra to be Allegro (fast, quick, and bright) because the track has a tempo of 140 テンポ, a half-time of 70テンポ, and a double-time of 280 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Divertimento: V: Turkey Trot: Allegretto, ben misurato | Leonard Bernstein, Bournemouth Symphony Orchestra, Marin Alsop | D♭ Major | 1 | 3B | 106 BPM | ||
Brahms: Double Concerto for Violin and Cello in A Minor, Op. 102: III. Vivace non troppo | Johannes Brahms, Itzhak Perlman, Bernard Haitink, Concertgebouworkest | A Minor | 2 | 8A | 82 BPM | ||
The Firebird (L'oiseau De Feu) - Suite (1919): Round Dance Of The Princesses | Igor Stravinsky, Orchestre de l'Opéra Bastille, Myung-Whun Chung | D♭ Minor | 0 | 12A | 82 BPM | ||
The Rite of Spring: Part Two: The Sacrifice: Glorification of the Chosen One | Igor Stravinsky, Teodor Currentzis, musicAeterna | A Major | 6 | 11B | 136 BPM | ||
Scènes de ballet, Op. 52: VI. Danse Orientale | Alexander Glazunov, Moscow Philharmonic Orchestra, Alexander Anissimov | A♭ Major | 0 | 4B | 78 BPM | ||
Oboe Concerto: II. Minuet and Musette. Allegro moderato | Ralph Vaughan Williams, Peter Oundjian, Toronto Symphony Orchestra, Sarah Jeffrey | C Major | 1 | 8B | 138 BPM | ||
Schoenberg: Verklärte Nacht, Op. 4: I. Grave | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston | D Minor | 1 | 7A | 174 BPM | ||
Symphony No. 8, Erster Teil: I. Veni, creator spiritus | Gustav Mahler, Berliner Philharmoniker, Sir Simon Rattle, Rundfunkchor Berlin, MDR Leipzig Radio Chorus, Erika Sunnegardh, Susan Bullock, Lilli Paasikivi, Nathalie Stutzmann, Johan Botha, David Wilson-Johnson, John Relyea | E♭ Major | 3 | 5B | 64 BPM | ||
Symphony No. 3 in C Minor, Op. 78, R. 176 "Organ Symphony": IIa. Allegro moderato - Presto - Allegro moderato | Camille Saint-Saëns, Gaston Litaize, Chicago Symphony Orchestra, Daniel Barenboim | D♭ Major | 1 | 3B | 110 BPM | ||
Pictures At An Exhibition (Orch. Ravel): Promenade II | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | A♭ Major | 0 | 4B | 80 BPM |