"The Light - Lyset du treng finst" by Ståle Kleiberg, Helge Torvund, Nidarosdomens jentekor, TrondheimSolistene, Petra Bjørkhaug, Anita Brevik was released on November 25, 2018. Since The Light - Lyset du treng finst is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Andrew Smith, Nidarosdomens jentekor, TrondheimSolistene, Trygve Seim, Anita Brevik's "Lux" album is number 11 out of 11. The Light - Lyset du treng finst is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Light - Lyset du treng finst by Ståle Kleiberg, Helge Torvund, Nidarosdomens jentekor, TrondheimSolistene, Petra Bjørkhaug, Anita Brevik to be Adagio (slowly with great expression) because the track has a tempo of 73 テンポ, a half-time of 36テンポ, and a double-time of 146 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Aubade, FP 51a: VIII. Andante. Variation de Diane | Francis Poulenc, Ronald Corp, New London Orchestra, Julian Evans | E Major | 0 | 12B | 178 BPM | ||
A Child of our Time, Part III: I would know my shadow and my light (Soloists, Chorus) | Michael Tippett, Pumeza Matshikiza, Sarah Connolly, Joshua Stewart, Ashley Riches, BBC Symphony Chorus, BBC Symphony Orchestra, Andrew Davis | E Minor | 1 | 9A | 141 BPM | ||
3 Zweistimmige Lieder, Op. 43/1: I. Wenn ich ein Vöglein wär | Robert Schumann, Barbican Quartet | N/A | N/A | N/A | 0 BPM | ||
Romanzen, Book 1, Op. 69: No. 6. Die Kapelle | Robert Schumann, Aquarius, Marc Michael de Smet | B Major | 0 | 1B | 83 BPM | ||
Lim Fantasy of Companionship for Piano and Orchestra, Act 4: Synthetic DNA | Manu Martin, Joi Barua, Susan Lim, London Symphony Orchestra, Arthur Fagen, London Voices, Tedd Joselson | C Major | 4 | 8B | 124 BPM | ||
St. Paul's Suite, Op. 29, No. 2: II. Ostinato | Gustav Holst, Budapest Strings, Karoly Botvay | C Major | 0 | 8B | 121 BPM | ||
Chants d'Auvergne, Vol. 1: No. 3a. L'aio De Rotso (Spring Water) | Joseph Canteloube, Véronique Gens, Orchestre National de Lille, Jean-Claude Casadesus | G Major | 1 | 9B | 186 BPM | ||
Adoro te devote (2015) | Cecilia McDowall, The Choir Of Trinity College, Cambridge, Stephen Layton | C Minor | 2 | 5A | 85 BPM | ||
Cura Emocional | Sinta Positivo | B♭ Major | 0 | 6B | 73 BPM | ||
The Four Temperaments for Piano and String Orchestra: Var. 4. Cholerisch. Vivace | Paul Hindemith, Anna Gourari, Orchestra della Svizzera Italiana, Markus Poschner | C Major | 2 | 8B | 85 BPM |