"Lohengrin, WWV 75 / Act 3: "Weh, nun ist all unser Glück dahin!"" by Richard Wagner, Gundula Janowitz, James King, Bavarian Radio Symphony Orchestra, Rafael Kubelík was released on January 1, 1971. With this song being about 5 minutes long, at 5:20, "Lohengrin, WWV 75 / Act 3: "Weh, nun ist all unser Glück dahin!"" by Richard Wagner, Gundula Janowitz, James King, Bavarian Radio Symphony Orchestra, Rafael Kubelík is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Wagner: Lohengrin by Richard Wagner, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Rafael Kubelik. The song's track number on the album is #6 out of 41 tracks. Based on our data, Germany was the country where this track was produced or recorded. Lohengrin, WWV 75 / Act 3: "Weh, nun ist all unser Glück dahin!" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Lohengrin, WWV 75 / Act 3: "Weh, nun ist all unser Glück dahin!" by Richard Wagner, Gundula Janowitz, James King, Bavarian Radio Symphony Orchestra, Rafael Kubelík has a tempo of 86 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Lohengrin, WWV 75 / Act 3: "Weh, nun ist all unser Glück dahin!" being at 86 テンポ, the half-time would be 43 テンポ with a double-time of 172 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 9 in E Minor, Op. 95 "From the New World": I. Adagio — Allegro molto | Antonín Dvořák, New York Philharmonic, Alan Gilbert | E Minor | 1 | 9A | 125 BPM | ||
Symphony No. 3 in C Minor, Op. 78 "Organ": Allegro | Camille Saint-Saëns, Eugene Ormandy, Philadelphia Orchestra | F Major | 3 | 7B | 111 BPM | ||
Symphony No. 9 in E Minor, Op. 95 "From the New World": III. Scherzo. Molto vivace | Antonín Dvořák, New York Philharmonic, Alan Gilbert | C Major | 1 | 8B | 121 BPM | ||
Don Giovanni, K.527, Act II, Scene 5: Don Giovanni, a cenar teco (Commendatore/Don Giovanni/Leporello/Coro) | Wiener Philharmoniker, William Shimell, Jan-Hendrik Rootering, Samuel Ramey, Riccardo Muti, Konzertvereinigung der Wiener Staatsopernchor | B♭ Major | 2 | 6B | 90 BPM | ||
Der Rosenkavalier, Op. 59 / Act 1: Introduction | Richard Strauss, Wiener Philharmoniker, Sir Georg Solti | D Major | 4 | 10B | 103 BPM | ||
La gazza ladra: Overture | Gioachino Rossini, Academy of St. Martin in the Fields, Sir Neville Marriner | E Major | 1 | 12B | 171 BPM | ||
Vier letzte Lieder, TrV 296: 2. September | Richard Strauss, Jessye Norman, Gewandhausorchester, Kurt Masur | D Major | 1 | 10B | 153 BPM | ||
Das Lied von der Erde: I. Das Trinklied vom Jammer der Erde | Gustav Mahler, Jonas Kaufmann, Jonathan Nott, Wiener Philharmoniker | F Major | 1 | 7B | 88 BPM | ||
Rigoletto / Act 2: Cortigiani, vil razza dannata (Rigoletto) | Giuseppe Verdi, Vladimir Chernov, Metropolitan Opera Orchestra, James Levine | D♭ Major | 2 | 3B | 86 BPM | ||
L'Italiana in Algeri (The Italian Girl in Algiers): Sinfonia | Gioachino Rossini, Prague Sinfonia, Christian Benda | C Major | 2 | 8B | 148 BPM |