"Vocal" by Max Richter, Peter Gregson was released on May 24, 2011. Since Vocal is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Hania Rani, Dobrawa Czocher, Peter Gregson's "Gregson Richter Jóhannsson" album is number 1 out of 2. On top of that, United Kingdom appears to be the country where this track was created. Vocal is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Vocal by Max Richter, Peter Gregson to be Andante (at a walking pace) because the track has a tempo of 80 テンポ, a half-time of 40テンポ, and a double-time of 160 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Elysian Days | Sophie Hutchings | B♭ Minor | 1 | 3A | 145 BPM | ||
Órói | Hugar | F Minor | 1 | 4A | 120 BPM | ||
Gnossiennes: No. 4 | Erik Satie, Jean-Yves Thibaudet | A Minor | 0 | 8A | 63 BPM | ||
Valsa | Rui Massena | C Major | 0 | 8B | 108 BPM | ||
Orfeo ed Euridice, Wq. 30 / Act II: Dance of the Blessed Spirits (Arr. by Mathieu Herzog for Cello and Strings) | Christoph Willibald Gluck, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | B Minor | 1 | 10A | 87 BPM | ||
Rêverie, L. 68 (Arr. by Badzura) | Claude Debussy, Daniel Hope, Zürcher Kammerorchester | F Major | 1 | 7B | 82 BPM | ||
Ending (Scaled Down Version) | Peter Sandberg | F♯ Minor | 2 | 11A | 144 BPM | ||
Shadowed | Sophie Hutchings | E♭ Minor | 1 | 2A | 117 BPM | ||
24 Preludes for Violin and Piano, Op. 46: No. 8 Andante | Lera Auerbach, Daniel Hope, Jacques Ammon | D Major | 0 | 10B | 82 BPM | ||
Quartets: One: II. The Day Before | Peter Gregson, Warren Zielinski, Magdalena Filipczak, Meghan Cassidy, Richard Harwood | A♭ Major | 3 | 4B | 127 BPM |