Carl Philipp Emanuel Bach, Miklós Spányi, Concerto Armonico Budapest made "キーboard Concerto in D Minor, Wq. 23, H. 427: I. Allegro" available on July 15, 2014. Since キーboard Concerto in D Minor, Wq. 23, H. 427: I. Allegro is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 4 out of 9 in Bach, C.P.E.: Harpsichord Concertos Wq. 23, Wq. 31 and Wq. 33 by Carl Philipp Emanuel Bach, Miklós Spányi. Going off of the ISRC code of this track, we detected that the origin of this track is from Hungary. Based on our statistics, キーboard Concerto in D Minor, Wq. 23, H. 427: I. Allegro's popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of キーboard Concerto in D Minor, Wq. 23, H. 427: I. Allegro by Carl Philipp Emanuel Bach, Miklós Spányi, Concerto Armonico Budapest is Allegro (fast, quick, and bright), since this song has a tempo of 126 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
D♭ Minor is the music key of this track. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Keyboard Sonata in F Major, Wq. 48/1, H. 24, "Prussian Sonata No. 1": II. Andante | Carl Philipp Emanuel Bach, Ana-Marija Markovina | A Major | 2 | 11B | 126 BPM | ||
Freie Fantasie fürs Clavier in F-Sharp Minor, H. 300: IV. Adagio | Carl Philipp Emanuel Bach, Marc-André Hamelin | F♯ Minor | 0 | 11A | 69 BPM | ||
Mazurka in C Minor | Mikhail Glinka, Inga Fiolia | C Minor | 0 | 5A | 106 BPM | ||
13 Pieces, Op. 76: No. 2. Etude | Jean Sibelius, Olli Mustonen | G Major | 1 | 9B | 92 BPM | ||
Sinfonia in D Major, "La Veneziana": III. Presto | Antonio Salieri, Chopin Chamber Orchestra, Winston Dan Vogel | D Major | 1 | 10B | 109 BPM | ||
Kinderszenen, Op.15: 1. Von fremden Ländern und Menschen | Robert Schumann, Martha Argerich | G Major | 0 | 9B | 128 BPM | ||
Sinfonia In G Major, Wq. 183/4, H. 666: III. Presto | Carl Philipp Emanuel Bach, Salzburg Chamber Philharmonic Orchestra | A Minor | 2 | 8A | 80 BPM | ||
Keyboard Sonata in E Major, Wq. 48/3, H. 26, "Prussian Sonata No. 3": II. Adagio | Carl Philipp Emanuel Bach, Ana-Marija Markovina | D Major | 0 | 10B | 79 BPM | ||
Symphonic Studies, Op. 13 - Version 1852 with Etudes from 1837 version: Variation II. Marcato il canto | Robert Schumann, Mikhail Pletnev | D♭ Minor | 1 | 12A | 69 BPM | ||
Le Tic-Toc-Choc, ou Les Maillotins: 18ème ordre, 3ème livre | François Couperin, Iddo Bar-Shaï | C Major | 3 | 8B | 145 BPM |