"Missa solemnis in D major, Op. 123: II. Gloria: Quoniam tu solus sanctus. Allegro maestoso" by Ludwig van Beethoven, Jordi Savall, Le Concert Des Nations was released on December 22, 2023. With Missa solemnis in D major, Op. 123: II. Gloria: Quoniam tu solus sanctus. Allegro maestoso being less than two minutes long, at 1:07, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 7 out of 27 in Beethoven: Missa Solemnis, Op. 123 by Ludwig van Beethoven, Jordi Savall, Le Concert Des Nations. Going off of the ISRC code of this track, we detected that the origin of this track is from Switzerland. Missa solemnis in D major, Op. 123: II. Gloria: Quoniam tu solus sanctus. Allegro maestoso is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Missa solemnis in D major, Op. 123: II. Gloria: Quoniam tu solus sanctus. Allegro maestoso by Ludwig van Beethoven, Jordi Savall, Le Concert Des Nations is Andante (at a walking pace), since this song has a tempo of 78 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Trio n°3, Op. 1: I. Allegro con brio | Ludwig van Beethoven, Trio Leos, Pablo Schatzman, Guillaume Lafeuille, Jean-Michel Dayez | C Minor | 0 | 5A | 165 BPM | ||
Violin Concerto in D Major, Op. 61: II. Larghetto | Ludwig van Beethoven, Charlie Siem, Philharmonia Orchestra, Oleg Caetani | B♭ Major | 4 | 6B | 138 BPM | ||
Beethoven Sonatina No 1 in G Major | Jonathan Geer, Ludwig van Beethoven | G Major | 0 | 9B | 130 BPM | ||
Romance No. 2 In F Major, Op. 50 | Slovak Philharmonic, Takako Nishizaki, Ludwig van Beethoven | F Major | 1 | 7B | 88 BPM | ||
Consolation No. 3 in D-Flat Major, S. 172 | Franz Liszt, Lang Lang | D♭ Major | 0 | 3B | 74 BPM | ||
Souvenir de Hapsal, Op. 2, TH 125: 3. Chant sans paroles | Pyotr Ilyich Tchaikovsky, Valentina Lisitsa | F Major | 0 | 7B | 100 BPM | ||
Violin Concerto in D Minor, BWV 1052: I. Allegro | Johann Sebastian Bach, Kolja Blacher, Cologne Chamber Orchestra, Helmut Muller-Bruhl | D Minor | 3 | 7A | 106 BPM | ||
Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 60 BPM | ||
16 Waltzes, Op. 39 (Version for Piano Duet): No. 15 in A-Flat Major | Johannes Brahms, Tal & Groethuysen | A Major | 0 | 11B | 126 BPM | ||
Triple Concerto in C Major, Op. 56: 3. Rondo alla Polacca - Live at Philharmonie, Berlin / 2019 | Ludwig van Beethoven, Anne-Sophie Mutter, Yo-Yo Ma, Daniel Barenboim, West-Eastern Divan Orchestra | C Major | 3 | 8B | 105 BPM |