"Hommage à Haydn, CD 123" by Claude Debussy, Steven Osborne was released on October 7, 2022. The duration of Hommage à Haydn, CD 123 is about two minutes long, specifically at 2:02. This song does not appear to have any foul language. Hommage à Haydn, CD 123's duration is considered a little bit shorter than the average duration of a typical track. The song is number 18 out of 22 in Debussy: Early and Late Piano Pieces by Claude Debussy, Steven Osborne. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Hommage à Haydn, CD 123 is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Hommage à Haydn, CD 123 by Claude Debussy, Steven Osborne is Adagio (slowly with great expression), since this song has a tempo of 69 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Aeon | Fred Hersch | G Minor | 0 | 6A | 67 BPM | ||
6 Etudes, Op. 111: II. Traits chromatiques | Camille Saint-Saëns, Piers Lane | C Major | 1 | 8B | 91 BPM | ||
21 Hungarian Dances, WoO 1: No. 3 in F Major: Allegretto (Arr. for Piano Duet) | Johannes Brahms, Katia Labèque, Marielle Labèque | G Minor | 2 | 6A | 71 BPM | ||
À la manière de Borodine, M. 63/1 | Maurice Ravel, Steven Osborne | C Major | 0 | 8B | 73 BPM | ||
Années De Pèlerinage (1st Year), S. 160: No. 4, Au Bord D'une Source - Duo-Art 6664 | Franz Liszt, Peter Phillips, Alfred Cortot | E♭ Major | 2 | 5B | 92 BPM | ||
24 Preludes & Fugues, Op. 87: No. 21a, Prelude in B-Flat Major | Dmitri Shostakovich, Tatiana Nikolayeva | B♭ Major | 1 | 6B | 148 BPM | ||
Glosas sobre el Mariam Matrem | Jesús Legido, Diego Fernández Magdaleno | A Minor | 0 | 8A | 209 BPM | ||
6 Preludes and Fugues in Free Style, Op. 53: Prelude No. 6 in C Minor | Anton Rubinstein, Martin Cousin | A♭ Major | 0 | 4B | 70 BPM | ||
Prélude in E-Flat Minor, Op. 16, No. 4 | Alexander Scriabin, Julius Asal | B Minor | 0 | 10A | 69 BPM | ||
Hymne à l'amour (Arr. for Piano by Roberto Piana) | Marguerite Monnot, Carlos Manuel Vargas | E Minor | 1 | 9A | 41 BPM |