"Lamentations II for Holy Saturday "Sabbato Sancto": Lectio III: No. 3, Haereditas nostra versa est ad alienos" by Giovanni Pierluigi da Palestrina, Cinquecento was released on November 1, 2019. With Lamentations II for Holy Saturday "Sabbato Sancto": Lectio III: No. 3, Haereditas nostra versa est ad alienos being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 73 in the song's album "Palestrina: Lamentations for Easter II". In this album, this song's track order is #68. Furthermore, we believe that the track originated from United Kingdom. Lamentations II for Holy Saturday "Sabbato Sancto": Lectio III: No. 3, Haereditas nostra versa est ad alienos is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Lamentations II for Holy Saturday "Sabbato Sancto": Lectio III: No. 3, Haereditas nostra versa est ad alienos by Giovanni Pierluigi da Palestrina, Cinquecento having a テンポ of 79 with a half-time of 40 テンポ and a double-time of 158 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of A♭ Minor. Which also means that the camelot key for this song is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Palestrina : Motets, Book 4, 'Canticum canticorum' : Nigra sum, sed formosa | Giovanni Pierluigi da Palestrina, Chanticleer | F Minor | 1 | 4A | 88 BPM | ||
Omnes de Saba venient | Jacobus Gallus, Apollo5 | B♭ Major | 3 | 6B | 142 BPM | ||
Geistliche Chormusik: Die Himmel erzählen die Ehre Gottes, SWV 386 | Heinrich Schütz, Collegium Vocale Gent, Philippe Herreweghe | C Major | 1 | 8B | 143 BPM | ||
Pesnopeniya i molitvi (Canticles and Prayers): After the Resurrection: Have mercy on us, O Lord | Georgy Sviridov, Credo Chamber Choir, Bogdan Plish | F♯ Major | 0 | 2B | 84 BPM | ||
Taedet animam meam | Cristobal de Morales, Egidus Kwartet | C Major | 0 | 8B | 132 BPM | ||
Lorica Of St. Patrick | Benedictines of Mary, Queen of Apostles | A♭ Minor | 2 | 1A | 79 BPM | ||
Duo Seraphim | Benedictines of Mary, Queen of Apostles | F♯ Major | 2 | 2B | 86 BPM | ||
Ecce quomodo moritur justus | Jacobus Gallus, Sächsisches Vocalensemble, Matthias Jung | F Major | 0 | 7B | 137 BPM | ||
Nôtre Père, Op. 14 | Truro Cathedral Choir | F Major | 0 | 7B | 115 BPM | ||
Jesu dulcis memoria | Tomás Luis de Victoria, Voices of Ascension Chorus, Dennis Keene | A Minor | 1 | 8A | 52 BPM |