Marin Marais, Jordi Savall, Lisandro Abadie, Hasnaa Bennani, Le Concert Des Nations made "Alcione, Acte II Scène 1: Prélude - "Le Roi dans ces lieux va se rendre"" available on September 24, 2021. The duration of Alcione, Acte II Scène 1: Prélude - "Le Roi dans ces lieux va se rendre" is about two minutes long, specifically at 2:14. This song does not appear to have any foul language. Alcione, Acte II Scène 1: Prélude - "Le Roi dans ces lieux va se rendre"'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Marin Marais, Jordi Savall, Le Concert Des Nations's "Marin Marais; Alcione" album is number 1 out of 85. Based on our statistics, Alcione, Acte II Scène 1: Prélude - "Le Roi dans ces lieux va se rendre"'s popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Alcione, Acte II Scène 1: Prélude - "Le Roi dans ces lieux va se rendre" by Marin Marais, Jordi Savall, Lisandro Abadie, Hasnaa Bennani, Le Concert Des Nations to be Allegro (fast, quick, and bright) because the track has a tempo of 134 テンポ, a half-time of 67テンポ, and a double-time of 268 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concert XXV | Monsieur de Sainte-Colombe, Philippe Pierlot, Lucile Boulanger | C Minor | 0 | 5A | 112 BPM | ||
Les plaisirs: Sarabande | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Minor | 0 | 11A | 144 BPM | ||
Mensa sonora / PARS III (In A Minor): 4. Ciacona | Heinrich Ignaz Franz von Biber, Musica Antiqua Köln, Reinhard Goebel | A♭ Minor | 0 | 1A | 114 BPM | ||
Alcione - 2Ème Suite - Airs Pour Les Eoliens Et Les Eoliennes - Sarabandes | Jordi Savall, Marin Marais | G Major | 0 | 9B | 83 BPM | ||
Le Retrouvé | Monsieur de Sainte-Colombe, Hille Perl | D♭ Minor | 0 | 12A | 82 BPM | ||
Guitar Quintet No. 7 in E Minor, G. 451: II. Adagio | Luigi Boccherini, José Miguel Moreno, La Real Cámara | F Major | 2 | 7B | 106 BPM | ||
Serenata con violini (Sinfonia), Op. 8 | Barbara Strozzi, Ensemble Poïésis | A♭ Minor | 0 | 1A | 97 BPM | ||
Melancholy Galliard | Hopkinson Smith, John Dowland | A♭ Major | 1 | 4B | 80 BPM | ||
Messe de requiem: I. Requiem | André Campra, Philippe Herreweghe, Orchestre de La Chapelle Royale, Chœur de la Chapelle Royale, La Chapelle Royale | E♭ Major | 2 | 5B | 82 BPM | ||
Sonata sesta for violino solo: I. Adagio | Daniel Purcell, Théotime Langlois de Swarte, Thomas Dunford | E Minor | 0 | 9A | 100 BPM |