"Flight, Act II: I bought this suitcase in New York (Minskwoman, Steward, Stewardess, Bill, Refugee, Older Woman, Tina)" by Jonathan Dove, David Parry, London Philharmonic Orchestra, Anne Mason, Garry Magee, Ann Taylor, Richard Coxon, Christopher Robson, Nuala Willis was released on April 1, 2004. Flight, Act II: I bought this suitcase in New York (Minskwoman, Steward, Stewardess, Bill, Refugee, Older Woman, Tina) is about six minutes long, preciously at 5:36, making this song fairly long compared to other songs. The song is number 22 out of 46 in Dove: Flight by Jonathan Dove, David Parry, London Philharmonic Orchestra, Christopher Robson, Claron McFadden, Richard Coxon, Mary Plazas, Nuala Willis, Ann Taylor. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Flight, Act II: I bought this suitcase in New York (Minskwoman, Steward, Stewardess, Bill, Refugee, Older Woman, Tina) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Flight, Act II: I bought this suitcase in New York (Minskwoman, Steward, Stewardess, Bill, Refugee, Older Woman, Tina) by Jonathan Dove, David Parry, London Philharmonic Orchestra, Anne Mason, Garry Magee, Ann Taylor, Richard Coxon, Christopher Robson, Nuala Willis is Larghetto (rather broadly), since this song has a tempo of 66 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
4 Quartette, Op. 92: I. O schöne Nacht | Johannes Brahms, Orpheus Vokalensemble, Antonii Baryshevskyi, Michael Alber | E Minor | 1 | 9A | 95 BPM | ||
Os justi, WAB 30 | Anton Bruckner, SWR Vokalensemble Stuttgart, Marcus Creed | C Major | 0 | 8B | 82 BPM | ||
Phoenix | Ola Gjeilo, Phoenix Chorale, Charles Bruffy | A Major | 0 | 11B | 139 BPM | ||
Vere languores nostros, IAL 32 | Antonio Lotti, Pro Musica, Szabó Dénes | A♭ Major | 0 | 4B | 71 BPM | ||
Missa a cappella: I. Kyrie | Einojuhani Rautavaara, Latvijas Radio koris, Sigvards Kļava | G Major | 1 | 9B | 97 BPM | ||
Mass for Double Choir: Sanctus | Frank Martin, Mikaeli Chamber Choir, Anders Eby | D Major | 1 | 10B | 130 BPM | ||
Spaseniye sodelal yesi posrede zemli (Salvation is Created), Op. 25, No. 5 | Pavel Chesnokov, Dale Warland Singers, Dale Warland | D Major | 0 | 10B | 133 BPM | ||
Seven Poems of Robert Bridges, Op. 17: III. My spirit sang all day | Gerald Finzi, Finzi Singers, Paul Spicer | A Minor | 1 | 8A | 121 BPM | ||
Os Justi | Anton Bruckner, Bergen Cathedral Choir, Bergen Philharmonic Trombones | C Major | 0 | 8B | 137 BPM | ||
The Lord's Prayer | Valentin Silvestrov, Latvian Radio Choir, Sigvards Kļava | C Major | 5 | 8B | 180 BPM |