Nadia Boulanger, Isang Enders, Sun-Wook Kim's 'Trois Pièces pour Violoncelle et Piano: No. 3 Vite et nerveusement rythmé' came out on April 24, 2020. The duration of Trois Pièces pour Violoncelle et Piano: No. 3 Vite et nerveusement rythmé is about two minutes long, specifically at 2:35. This song does not appear to have any foul language. Trois Pièces pour Violoncelle et Piano: No. 3 Vite et nerveusement rythmé's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Vox Humana by Isang Enders. The song's track number on the album is #7 out of 16 tracks. Based on our statistics, Trois Pièces pour Violoncelle et Piano: No. 3 Vite et nerveusement rythmé's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Trois Pièces pour Violoncelle et Piano: No. 3 Vite et nerveusement rythmé by Nadia Boulanger, Isang Enders, Sun-Wook Kim has a tempo of 138 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Trois Pièces pour Violoncelle et Piano: No. 3 Vite et nerveusement rythmé being at 138 テンポ, the half-time would be 69 テンポ with a double-time of 276 テンポ.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto in D Major, Op. 61: II. Larghetto | Ludwig van Beethoven, Charlie Siem, Philharmonia Orchestra, Oleg Caetani | B♭ Major | 4 | 6B | 138 BPM | ||
Carnaval, Op. 9: XII. Chopin | Robert Schumann, Daniil Trifonov | E Major | 0 | 12B | 68 BPM | ||
Variations On A Theme By Chopin: Variation 1. Tranquillo e molto amabile | Federico Mompou, Daniil Trifonov | A Major | 0 | 11B | 66 BPM | ||
Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 60 BPM | ||
3 Nouvelles etudes, Op. posth.: II. Etude No. 26 in A-Flat Major | Frédéric Chopin, Idil Biret | A♭ Major | 0 | 4B | 74 BPM | ||
Impromptu No. 2 in F-Sharp Major, Op. 36: Andantino | Frédéric Chopin, Stanislav Bunin | F♯ Major | 0 | 2B | 68 BPM | ||
Berceuse | Germaine Tailleferre, Sara Chenal, Jean-Pierre Ferey | A Major | 0 | 11B | 101 BPM | ||
Requiem, Op. 48: V. Agnus Dei - Live | Gabriel Fauré, Vernon de Tar, Nadia Boulanger, New York Philharmonic | D Major | 2 | 10B | 129 BPM | ||
Soleils couchants | Nadia Boulanger, Lucile Richardot, Anne de Fornel | C Major | 3 | 8B | 97 BPM | ||
Cello Sonata No. 3 in A Major, Op. 69: III. Adagio cantabile | Ludwig van Beethoven, Mischa Maisky, Martha Argerich | E Major | 0 | 12B | 89 BPM |