George Frideric Handel, Kym Amps, Angus Davidson, Robin Doveton, David van Asch, The Scholars Baroque Ensemble's 'Acis and Galatea, HWV 49b: Chorus' came out on July 31, 1998. The duration of Acis and Galatea, HWV 49b: Chorus is about two minutes long, specifically at 2:41. This song does not appear to have any foul language. Acis and Galatea, HWV 49b: Chorus's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in George Frideric Handel's "Handel: Acis and Galatea" album is number 28 out of 28. On top of that, Hong Kong appears to be the country where this track was created. Based on our statistics, Acis and Galatea, HWV 49b: Chorus's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Acis and Galatea, HWV 49b: Chorus by George Frideric Handel, Kym Amps, Angus Davidson, Robin Doveton, David van Asch, The Scholars Baroque Ensemble to be Allegro (fast, quick, and bright) because the track has a tempo of 131 テンポ, a half-time of 66テンポ, and a double-time of 262 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto For 4 Harpsichords In A Minor, BWV 1065: III. Allegro | Cologne Chamber Orchestra, Christoph Anselm Noll, Roderick Shaw, Gerald Hambitzer, Robert Hill, Johann Sebastian Bach | A Minor | 4 | 8A | 114 BPM | ||
Variations on a Rococo Theme, Op. 33, TH 57: Var: VI. Andante | Pyotr Ilyich Tchaikovsky, Jean-Guihen Queyras, BBC Symphony Orchestra, Jiří Bělohlávek | D Major | 0 | 10B | 114 BPM | ||
Sonata in F, BuxWV 269: II. Solo- Allegro | Dietrich Buxtehude, La Rêveuse | E Major | 2 | 12B | 103 BPM | ||
Water Music, Suite No. 2, HWV 349: Water Music, Suite No. 2, HWV 349: XII. [Alla Hornpipe] | George Frideric Handel, Akademie für Alte Musik Berlin | D♭ Major | 2 | 3B | 132 BPM | ||
Variations on 'Non piu mesta' from Rossini's Opera 'La Cenerentola' | Nora Mercz, Frédéric Chopin, Janos Balint | E Major | 0 | 12B | 73 BPM | ||
Bach, JS: Concerto for Two Violins in D Minor, BWV 1043: I. Vivace | Johann Sebastian Bach, Anne-Sophie Mutter, Leslie Pearson, Salvatore Accardo, English Chamber Orchestra | D Minor | 3 | 7A | 179 BPM | ||
Solomon, HWV 67: The Arrival Of The Queen Of Sheba | Georg Friedrich Händek, Robert Haydon Clark, Consort of London | B♭ Major | 3 | 6B | 120 BPM | ||
Bach, JS: Brandenburg Concerto No. 1 in F Major, BWV 1046: II. Adagio | Johann Sebastian Bach, Catherine Mackintosh, Paul Goodwin, Susan Dent, Timothy Brown, Orchestra of the Age of Enlightenment | D♭ Minor | 1 | 12A | 133 BPM | ||
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: I. Moderato (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | C Major | 1 | 8B | 68 BPM | ||
Rinaldo, HWV 7b: Act I Scene 7: Aria: Cara sposa, amante cara, dove sei? (Rinaldo) | George Frideric Handel, Marion Newman, Laura Whalen, Kimberley Barber, Jennifer Ens Modolo, Sean Watson, Barbara Hannigan, Giles Tomkins, Nicole Bower, Catherine Affleck, Melinda Delorme, Lenard Whiting, Opera in Concert, Aradia Ensemble, Kevin Mallon | E♭ Minor | 1 | 2A | 92 BPM |