"Sonate Für Klarinette Und Klavier In B (1939): II. Lebhaft (Hindemith)" by Massimiliano Damerini & Michele Carulli was released on 1997. The duration of Sonate Für Klarinette Und Klavier In B (1939): II. Lebhaft (Hindemith) is about two minutes long, specifically at 2:51. This song does not appear to have any foul language. Sonate Für Klarinette Und Klavier In B (1939): II. Lebhaft (Hindemith)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 14 in the song's album "Paul Hindemith: Sonatas For Winds & Piano, Vol. 1". In this album, this song's track order is #9. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Sonate Für Klarinette Und Klavier In B (1939): II. Lebhaft (Hindemith) is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Sonate Für Klarinette Und Klavier In B (1939): II. Lebhaft (Hindemith) by Massimiliano Damerini & Michele Carulli having a テンポ of 106 with a half-time of 53 テンポ and a double-time of 212 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
String Quartet No. 1 "Métamorphoses nocturnes": Presto | György Ligeti, The Verona Quartet | G Major | 0 | 9B | 86 BPM | ||
Alchymia: II. The Woods So Wild | Thomas Adès, Mark Simpson, Quatuor Diotima | C Major | 1 | 8B | 78 BPM | ||
Eventide: X. Fugato | Kenneth Fuchs, Tim McAllister, Sinfonia Of London, John Wilson | F Major | 1 | 7B | 67 BPM | ||
3 Preludes, Op. 18: I. Allegro | Robert Muczynski, Alexandra Hawley | B♭ Minor | 1 | 3A | 116 BPM | ||
Horn Sonata in B Minor, Op. 27: II. Adagio molto | Kurt Atterberg, Imre Magyari, Ilona Prunyi | A Major | 1 | 11B | 145 BPM | ||
Tableaux de Provence: IV. Des Alyscamps l'âme soupire (Version pour saxophone et piano) | Paule Maurice, Louis Hognon, Flore Merlin | D♭ Minor | 0 | 12A | 66 BPM | ||
Fantasy Variations on a Theme by Niccolo Paganini: V. - Recording at Fumon Hall, Tokyo, 1989 | Tokyo Kosei Wind Orchestra, James Barnes | E Minor | 0 | 9A | 64 BPM | ||
String Quartet No. 9 in E-Flat Major, Op. 117: IV. Adagio | Dmitri Shostakovich, Carducci String Quartet | D♭ Major | 0 | 3B | 83 BPM | ||
A Child of our Time, Part I: Interludium | Michael Tippett, BBC Symphony Orchestra, Andrew Davis | E Minor | 1 | 9A | 141 BPM | ||
St Anthony Variations, Op. 56a "Haydn Variations": Var. 4. Andante con moto | Johannes Brahms, Staatskapelle Dresden, Claudio Abbado | D Minor | 0 | 7A | 82 BPM |