"Cuatro Estaciones Porteñas: II. Invierno Porteño" by Astor Piazzolla, Metamorphose String Orchestra, Pavel Lyubomudrov, Mikael Samsonov was released on April 19, 2024. Since Cuatro Estaciones Porteñas: II. Invierno Porteño is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. Since Piazzolla: Cuatro Estaciones Porteñas: II. Invierno Porteño (Arr. for Cello and String Orchestra by L. Desyatnikov) only contains only one song in the album, we like to consider this song as a single. Furthermore, we believe that the track originated from Italy. The popularity of Cuatro Estaciones Porteñas: II. Invierno Porteño is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Cuatro Estaciones Porteñas: II. Invierno Porteño by Astor Piazzolla, Metamorphose String Orchestra, Pavel Lyubomudrov, Mikael Samsonov having a テンポ of 163 with a half-time of 82 テンポ and a double-time of 326 テンポ, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
E Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tales of a Small Flute for Piccolo & Piano: I. Volne (Andante) | Vítězslava Kaprálová, Haika Lübcke, Hendrik Heilmann | E Major | 0 | 12B | 96 BPM | ||
Shadows on the Abandoned Street: Second Movement | Shota Ikeda | D Minor | 4 | 7A | 128 BPM | ||
V. Earth | Rachel Portman, Niklas Liepe, WDR Funkhausorchester, Erina Yashima | G Minor | 1 | 6A | 99 BPM | ||
Sonata for Clarinet and Piano No. 2 in E-Flat Major, Op. 120 No. 2: II. Allegro appassionato | Johannes Brahms, Nicolas Baldeyrou, Geoffroy Couteau | B♭ Major | 3 | 6B | 103 BPM | ||
Debussy: Sonata for Flute, Viola and Harp, CD 145, L. 137: III. Finale. Allegro moderato, ma risoluto | Claude Debussy, Markus Klinko, Benoît Fromanger, Pierre Lénert | E♭ Minor | 1 | 2A | 97 BPM | ||
The Dreams & Prayers of Isaac the Blind: Postlude | Osvaldo Golijov, Emil Jonason, Vamlingbo Quartet | N/A | N/A | N/A | 0 BPM | ||
Night (Arr. for Cello & Piano by Tom Poster) | Florence Beatrice Price, Laura van der Heijden, Jâms Coleman | G Major | 0 | 9B | 91 BPM | ||
Violin Concerto No. 2 in G Minor "Summer", RV 315: III. Presto | Antonio Vilvaldi, Antonio Vivaldi, Jordi Savall, Alfia Bakieva, Les Musiciennes du Concert des Nations | C Major | 1 | 8B | 173 BPM | ||
Märchenbilder, Op. 113: IV. Langsam | Robert Schumann, Alena Baeva, Vadym Kholodenko | D Major | 3 | 10B | 109 BPM | ||
The Wolf and the Seven Young Goats: IV. Big Bad Wolf | Alexander Litvinovsky, Pavel Lyubomudrov, Metamorphose String Orchestra, Alexey Lundin, Halidon | A Major | 1 | 11B | 87 BPM |