"Les deux pigeons - Suite (2002 - Remaster): Entrée de Popia" by André Messager, Orchestra of the Royal Opera House, Covent Garden/Sir Charles Mackerras, Sir Charles Mackerras, Orch.Of Royal Opera House Covent Garden, Orchestra of the Royal Opera House, Covent Garden was released on 1988. The duration of Les deux pigeons - Suite (2002 - Remaster): Entrée de Popia is about two minutes long, specifically at 2:15. This song does not appear to have any foul language. Les deux pigeons - Suite (2002 - Remaster): Entrée de Popia's duration is considered a little bit shorter than the average duration of a typical track. The song is number 9 out of 21 in Delibes/Messager/Gounod : Ballet Music by Sir Charles Mackerras. Les deux pigeons - Suite (2002 - Remaster): Entrée de Popia is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Les deux pigeons - Suite (2002 - Remaster): Entrée de Popia by André Messager, Orchestra of the Royal Opera House, Covent Garden/Sir Charles Mackerras, Sir Charles Mackerras, Orch.Of Royal Opera House Covent Garden, Orchestra of the Royal Opera House, Covent Garden is Andante (at a walking pace), since this song has a tempo of 79 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
El sombrero de tres picos, Pt. 2: I. Danza de los vecinos | Manuel de Falla, Carlos Miguel Prieto, The Orchestra of the Americas | D Major | 1 | 10B | 100 BPM | ||
Messager: Solo de concours | André Messager, Simon Lopez, Guillaume Vincent | A♭ Major | 1 | 4B | 66 BPM | ||
Der Rosenkavalier, Op. 59 / Act 3: "Marie Theres'!" - "Hab mir's gelobt, Ihn lieb zu haben" | Richard Strauss, Anna Tomowa-Sintow, Janet Perry, Agnes Baltsa, Wiener Philharmoniker, Herbert von Karajan | B♭ Major | 4 | 6B | 120 BPM | ||
Masques et Bergamasques, suite, Op.112: 1. Ouverture | Gabriel Fauré, Academy of St. Martin in the Fields, Sir Neville Marriner | F Major | 2 | 7B | 69 BPM | ||
Violin Concerto No. 3 in B Minor, Op. 61: II. Andantino quasi allegretto | Camille Saint-Saëns, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | B♭ Major | 1 | 6B | 88 BPM | ||
Sinfonietta: III. Allegro | Maya Badian, Brasov State Philharmonic Orchestra, Ilarion Ionescu-Galati | D♭ Major | 2 | 3B | 100 BPM | ||
Hungarian Dance No.6 In D Flat | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | D Major | 2 | 10B | 153 BPM | ||
Shéhérazade: No. 1. Asie | Maurice Ravel, Isabelle Druet, Orchestre National De Lyon, Leonard Slatkin | D♭ Minor | 1 | 12A | 79 BPM | ||
L'Amour masqué - operetta: J'ai deux amants | André Messager, Patricia Petibon, Orchestre De L'Opéra National De Lyon, Yves Abel | B♭ Major | 0 | 6B | 141 BPM | ||
Piano Concerto No. 2 in F Major, Op. 102: I. Allegro | Dmitri Shostakovich, I Musici de Montréal, Maxim Shostakovich | B♭ Major | 3 | 6B | 160 BPM |