Parisa, Hossein Alizadeh, Parviz Meshkatian, Aliakbar Shekarchi, Mohammad Ali Kiani Nejad, Morteza A'yan's 'Foroud-e Zarbi va Avaz: Sahargah Rahroei Dar Sarzamini' came out on 1976. The duration of Foroud-e Zarbi va Avaz: Sahargah Rahroei Dar Sarzamini is about two minutes long, specifically at 2:22. This song does not appear to have any foul language. Foroud-e Zarbi va Avaz: Sahargah Rahroei Dar Sarzamini's duration is considered a little bit shorter than the average duration of a typical track. The song is number 11 out of 13 in Dastgah-e Nava by Parisa, Hossein Alizadeh, Parviz Meshkatian. Based on our statistics, Foroud-e Zarbi va Avaz: Sahargah Rahroei Dar Sarzamini's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Foroud-e Zarbi va Avaz: Sahargah Rahroei Dar Sarzamini by Parisa, Hossein Alizadeh, Parviz Meshkatian, Aliakbar Shekarchi, Mohammad Ali Kiani Nejad, Morteza A'yan is Allegro (fast, quick, and bright), since this song has a tempo of 139 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Isfahaan: Daramaad, Pishdaramaad | Parisa, Hossein Omoumi | E Major | 3 | 12B | 98 BPM | ||
Gol Va Darreh , Foroud | Kayhan Kalhor, Ali Akbar Moradi | D♭ Major | 2 | 3B | 73 BPM | ||
Chi Garmi! Chi Khoobi! | Ahmad Zahir | A Minor | 8 | 8A | 102 BPM | ||
Avaz Shour (Shekast Ahde Mano Goft) | Hayedeh, Siavosh Zendegani | D♭ Major | 3 | 3B | 140 BPM | ||
Vaay Ke Delam - Bonus Track | Ahmadreza Nabizadeh | F♯ Major | 1 | 2B | 137 BPM | ||
Man Dar Saraaye Tu | Ahmad Zahir | B Major | 7 | 1B | 100 BPM | ||
Tasnife Aan Delbare Man | Homayoun Shajarian | D♭ Minor | 5 | 12A | 90 BPM | ||
Sheen Stargi Jinay | Hamayoun Angar | D Major | 9 | 10B | 128 BPM | ||
Chon omr be sar rasad | Ahmad Shamlu, Fereydoun Shahbazian | G Major | 3 | 9B | 61 BPM | ||
Man Vojoodam Male To | Taher Ghoreyshi | B Minor | 2 | 10A | 142 BPM |