"Laudate pueri in G Major, RV 601 "Salmo 112": VII. Gloria Patri e Filio (Largo)" by Antonio Vivaldi, Sandrine Piau, Accademia Bizantina, Ottavio Dantone, Stefano Montanari was released on January 1, 2005. With this song being around four minutes long, at 4:02, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Vivaldi: In furore, laudate pueri e concerti sacri by Antonio Vivaldi, Sandrine Piau, Stefano Montanari, Ottavio Dantone, Accademia Bizantina. The song's track number on the album is #13 out of 21 tracks. Laudate pueri in G Major, RV 601 "Salmo 112": VII. Gloria Patri e Filio (Largo) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Laudate pueri in G Major, RV 601 "Salmo 112": VII. Gloria Patri e Filio (Largo) by Antonio Vivaldi, Sandrine Piau, Accademia Bizantina, Ottavio Dantone, Stefano Montanari has a tempo of 75 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Laudate pueri in G Major, RV 601 "Salmo 112": VII. Gloria Patri e Filio (Largo) being at 75 テンポ, the half-time would be 38 テンポ with a double-time of 150 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
A♭ Minor is the music key of this track. Which also means that the camelot key for this song is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pergolesi: Stabat Mater: III. O quam tristis et afflicta | Giovanni Battista Pergolesi, Philippe Jaroussky, Diego Fasolis, I Barocchisti | F♯ Minor | 1 | 11A | 111 BPM | ||
Diporti di Euterpe, Op. 7: Lagrime mie | Barbara Strozzi, Paul Beier, Emanuela Galli, Ensemble Galilei | E♭ Minor | 0 | 2A | 105 BPM | ||
Eia Mater | Andreas Scholl | B♭ Major | 1 | 6B | 98 BPM | ||
Concerto No. 1 In D Major RV 549: I. Allegro (Vivaldi) | Accademia Bizantina | D♭ Major | 2 | 3B | 121 BPM | ||
Cantata No. 196, BWV 196 "Der Herr denket an uns": Sinfonia | Johann Sebastian Bach, Accademia Bizantina, Ottavio Dantone | B Minor | 1 | 10A | 77 BPM | ||
Dixit Dominus, ZWV 66: Sicut erat in principio - After Psalm 109 | Jan Dismas Zelenka, Adam Viktora, Inégal Ensemble, Prague Baroque Solists | A♭ Major | 2 | 4B | 61 BPM | ||
Stabat Mater pour dix voix et basse continue: I. Stabat Mater dolorosa | Domenico Scarlatti, Vox Luminis, Lionel Meunier | F Major | 1 | 7B | 138 BPM | ||
Vulnerasti cor meum (Armoniae cantiones una, 2, 3, 4, 5 vocibus concinendae cum sonorum concentibus pro instrumentis, opus tertium, 1635, G. Rolla, Milano) | Philippe Jaroussky, Ensemble Artaserse | F Major | 0 | 7B | 71 BPM | ||
Ohimè Ch'Io Cado (Libro Nono) | Jordi Savall, Claudio Monteverdi, Montserrat Figueras | F Major | 2 | 7B | 76 BPM | ||
Sonata Da Chiesa No. 1 in D Major, Op. 5: I. Grave - Adagio - Grave - Allegro - Adagio | Arcangelo Corelli, Ottavio Dantone, Stefano Montanari | A♭ Major | 2 | 4B | 61 BPM |